Artist Brian Kesinger isn’t just known for his decades of work on Disney films, ranging from Atlantis: The Lost Empire to Frozen 2. He’s also the creator of iconic fan art mashups, like the Kylo Ren Calvin & Hobbes parody series. Now, he’s working on a series of upcoming projects, and he’s also got a bunch of new and…
In 1973, the Supreme Court ruled that the Constitution does not guarantee Americans "equal" education (which would require similar per-student funding in both rich and poor neighborhoods), merely "adequate" education.
Even that adequacy standard has weakened over the years, as right-wing governments have systematically gutted education budgets, and in 20 states, the state supreme court will not hear challenges to education cuts that argue that these cuts undermine an "adequate" education.
Now, a suit in Rhode Island is asking the state court to rule that underfunded education is unconstitutional because it denies pupils the opportunity to be sufficiently well-educated to be citizens in a democracy, something the framers of the Constitution were very explicit about.
The case just filed in Rhode Island seeks to avoid that trap by doing something completely new. It focuses on the civics knowledge and skills that our democratic form of government demands of citizens – a topic with deep historical roots. My recent research demonstrated that our founders intended public education to be a core aspect of the “republican form of government” that our federal Constitution demands.
Our republican form of government began as an experiment in the idea that everyday citizens could govern themselves. But our founders – people like George Washington, John Adams and Thomas Jefferson – emphasized that public education was necessary for those governments to work. In legislation that would dictate how the western territory would be divided up and later become states, Congress in the Northwest Ordinances of 1785 and 1787 mandated that each township reserve a central lot for public schools and that the states use their public resources to “forever encourage” those schools.
Fight for federal right to education takes a new turn [Derek W. Black/The Conversation]
(via Naked Capitalism)
Twenty-five years ago, anyone old enough to navigate DOS was likely playing Doom every spare minute, assuming their parents weren’t around. A quarter of century after its release, the game’s legacy is unquestionable — but it could always use a few new levels. So co-creator John Romero made some. They come with a silver statue of his head impaled on a spike.
There’s not a lot one can say at Doom’s 25th anniversary that one couldn’t at its 20th, so I’ll spare you the big retrospective. Suffice it to say that Doom still rules, and if you’ve never played it, you’ve got a treat ahead of you. And at this point there’s enough of it to rival modern games in length and challenge.
What has happened in the intervening five years is the release of… well, Doom, AKA Doom 2016. This gory, kinetic remake charmed (and tore out) the hearts of millions, reigniting interest in a franchise that had seen better days.
Seeing this renewed interest, and with the 25th anniversary, approaching, co-creator John Romero decided he wanted to dive back into making maps for the game that made him.
I'm excited to announce the project that I've been working on: SIGIL, an unofficial spiritual successor to The Ultimate DOOM's 4th episode! Read about it here: https://t.co/bVDrRntSqG #johnromero #romerogames #sigil #doom#pcgaming #pcgames #buckethead #retrocollection
— 𝕵𝖔𝖍𝖓 𝕽𝖔𝖒𝖊𝖗𝖔 (@romero) December 10, 2018
“I worked on it part time during 2017 and 2018, mostly while I was on vacation or in the evenings,” Romero explained in an interview, apparently with himself, posted on his website. “For me, making this whole episode was a labor of love and a reminder of all the amazing times that we had at id working on the original. I was fortunate to be a part of such a great team and a foundational game.”
Sigil is a pack of nine levels that are an unofficial, but probably as official as we’re likely to get, fifth “episode” of Doom.
“I wanted the levels to feel like they belong to the original game as if they were a true fifth episode,” Romero told himself. “There’s more detail in the levels than episodes 1-4, but not overly so. The boss level is terrifying. There’s a massive room in E5M6 that is the coolest room I’ve created in any map.”
Many will remember the synth-metal soundtrack to the original, and to match that Romero tapped legendary metal guitarist Buckethead to contribute a song to Sigil. The catch is that the song doesn’t come with the free version of the expansion.
See, Sigil will release as a megawad — a wad of .wad (“where’s all the data?”) files, the original format for Doom expansions and mods. You’ll be able to download that for free and play it on your original copy of Doom; if you don’t have one, you can buy one for $5, and should.
But true Doom megafans will want to go with a boxed edition. The standard one comes with a 3.5″ floppy disk-shaped USB drive with the game on it, but the “Beast Box” has a bunch of extra gear inside the giant box: a booklet and print, an XL Sigil shirt and, most tempting of all, “a pewter statue of John Romero’s head on a spike.” This is a reference to a famous Doom Easter egg, but honestly would have made perfect sense anyway.
“I believe the most important legacy of Doom is its community, the people who have kept it alive for 25 years through the creation of mods and tools,” said Romero. “It’s not at all lost on me that I have gone from a creator to a part of the community in that space of time, and I love that.”
Sigil comes out mid-February. I can’t wait. If you’re interested in the more modern Doom stuff, though, keep an eye out for Doom Eternal, the sequel to the 2016 hit. More of the same? Sounds good to me. Rip and tear!
Vegemite has enough salt to be conductive, and is viscous enough to draw distinct traces with on suitable medium (say, toast that has been cooked such that most of the water has evaporated, making it a good insulator), as Luke Weston has ably demonstrated.
NASA's InSight lander, which touched down on Mars less than two weeks ago, has recorded vibrations -- low-pitched, guttural rumblings -- caused by wind blowing across the science instruments on the spacecraft's deck. NBC News reports: Unaltered, these vibrations are barely audible, because they were recorded at a frequency of 50 hertz, at the low end of what the human ear can detect, according to Thomas Pike, the lead scientist for InSight's Short Period Seismometer, one of two instruments that picked up the subtle movements. NASA also released a sample of the same audio file that was shifted up about six octaves, to within a range audible to humans. That recording -- which at times sounds like a regular blustery day on Earth and other times has the muted, hollow quality reminiscent of being underwater -- would essentially be what a person would hear if they were sitting on the InSight lander on Mars, said Don Banfield, the science lead for InSight's air pressure sensor and a planetary scientist at Cornell University in Ithaca, New York. NASA believes the wind in the recordings was blowing at 10-15 miles per hour from northwest to southeast.
Read more of this story at Slashdot.
The Transportation Security Administration has set out an alarming vision of pervasive biometric surveillance at airports, which cuts against the right to privacy, the “right to travel,” and the right to anonymous association with others.
The FAA Reauthorization Act of 2018, which included language that we warned would provide implied Congressional endorsement to biometric screening of domestic travelers and U.S. citizens, became law in early October. The ink wasn’t even dry on that bill when the Transportation Security Administration (TSA) published their Biometrics Roadmap for Aviation Security and the Passenger Experience, detailing TSA’s plans to work with Customs and Border Protection (CBP) to roll out increased biometric collection and screening for all passengers, including Americans traveling domestically.
This roadmap appears to latch on to a perceived acceptance of biometrics as security keys while ignoring the pervasive challenges with accurately identifying individuals and the privacy risks associated with collecting massive amounts of biometric data. Furthermore, it provides no strategy for dealing with passengers who are unfairly misidentified.
Worst of all, while the roadmap explicitly mentions collaborating with airlines and other partners inside and outside the government, it is alarmingly silent on how TSA plans to protect a widely distributed honeypot of sensitive biometric information ripe for misuse by identity thieves, malicious actors, or even legitimate employees abusing their access privileges.
The roadmap proposes significant changes to what the government can do with data collected from more than 5 million people in the TSA PreCheck program. It also proposes new programs to collect and use biometric data from American travelers who haven’t opted into the PreCheck program.
The TSA PreCheck program has long been billed as a convenient way for travelers to cut down on security wait times and speed through airports. All a traveler has to do is to sign up, pay a fee, and allow TSA to collect fingerprints for a background check. However, the roadmap outlines TSA’s plans to expand use of those prints beyond the background check to other uses throughout the airport, such as for security at the bag drop or for identity verification at security check points.
TSA has already rolled this out as a pilot program. In 2017, at Atlanta’s Hartsfield-Jackson Airport and Denver International Airport, TSA used prints from the PreCheck database and a contactless fingerprint reader to verify the identity of PreCheck-approved travelers at security checkpoints at both airports. TSA now proposes to make the pilot program permanent and to widen the biometrics used to include face recognition, iris scans, and others.
Even more concerning, the roadmap outlines a strategy to capture biometrics from American travelers who haven’t enrolled in PreCheck and who never consented to any biometric data collection from TSA. Instead of giving passengers the option to opt in, TSA plans to partner and share information with other federal and state agencies like the FBI and state Departments of Motor Vehicles to get the biometric information they want.
While Congress has authorized a biometric data collection exit program for foreign visitors—supposedly to help monitor visa compliance by using biometrics to track foreigners leaving the country—the roadmap explicitly outlines plans for TSA and CBP to collect any biometrics they want from all travelers—American or foreign, international and domestic—wherever they are in the airport. That data will be stored in a widely shared database could be used to track people outside the airport context. For example, TSA’s Precheck as well as Clear have already begun using their technology at stadiums to “allow” visitors a faster entry.
This is a big, big change. It is unprecedented for the government to collect, store, and share this kind of data, with this level of detail, with this many agencies and private partners. We know that security lines are a huge pain, but we are concerned that travelers getting used to biometric tracking in the airport context will be less concerned about tracking in other contexts and eventually throughout society at large.
The roadmap also makes the huge assumption that people will not object to this expanded collection. It states that “popular perceptions [of biometrics] have evolved to appreciate the convenience and security biometric solutions can offer in the commercial aviation sector.” In other words, it claims that travelers using biometrics like fingerprints and facial recognition programs to unlock their phones and laptops, will be less concerned about Department of Homeland Security agencies collecting biometrics to store in government databases for unspecified, myriad uses.
The problem with this claim is that those two things are not the same.
Apple software, for one example, allows consumers to use biometrics (currently, fingerprints and faceprints) to unlock their devices. However, Apple has specifically built in privacy and security protections that prevent the biometric data from being stolen. Apple does not enable third party software to access the original biometric data. Plus, unlike federal agencies, Apple stores the original biometric information on your phone, not in a central, searchable database intended for use by multiple government and private partners over many years.
Additionally, TSA seems to be ignoring the risk that relying heavily on biometric data for identification may actually create new national security risks that the federal government is ill-equipped to handle. For example, India’s infamous Aadhaar biometric database, which was built by the Indian government to reduce corruption and expanded for use by other public and private groups, keeps getting hacked. It is not only cheap to buy the information of one of the 1.19 billion people in the database, but the hacks also allow for new information to be entered into the database. Rather than increasing security, India’s biometric database created more problems and opportunities for corruption.
Finally, this roadmap glosses over the weaknesses of facial recognition technology as a means to identify travelers and ignores the challenges CBP has already faced rolling out their biometric exit program.
We’ve written many times before about the significant accuracy problems with current face recognition software, especially for non-white and female people. For example, earlier this summer the ACLU published a test of Amazon’s facial recognition program, comparing the official photos of 435 Members of Congress with publicly available mugshots. The ACLU found 28 false matches, even in this relatively small data set.
CBP has claimed to have a 98% accuracy rating in their pilot programs, even though the Office of the Inspector General could not verify those numbers. According to the FAA, 2.5 million passengers fly through U.S. airports every day, meaning that even a 2% error rate would cause thousands of people to be misidentified every day.
TSA’s roadmap does not acknowledge these accuracy problems, much less outline an efficient way to allow wrongly identified travelers to complete their trips. Additionally, the roadmap does not acknowledge the need to allow travelers to opt out of the system.
But even if the claims about the advances in biometric software and technology are true, the Office of the Inspector General has also reported that CBP consistently and substantially underestimated the cost of their biometric exit program to the American taxpayer. To close some of the funding gaps, CBP would have to depend on the airports and airlines to purchase the necessary biometric equipment and to provide staff to implement the program. In short, for CBP and TSA to achieve their goals, they must force American travelers to hand over their biometric data to private companies.
TSA should not move forward on this plan without addressing the serious security concerns and without providing a reliable, convenient way for travelers to opt out of the program. Even if biometrics provided a reliable identification system for travelers, the kind of system and database the roadmap outlines could make it more difficult for people to travel, in direct conflict with the agency’s mission “to protect the nation's transportation systems to ensure freedom of movement for people and commerce.”
An anonymous reader writes: Forbes magazine has an in-depth piece on Joe Liemandt. As you may be aware, Liemandt was the founder of Trilogy, a startup which has been credited to help put Austin on the tech map. He is also founder of ESW Capital, a private equity firm that is scooping up software startups left and right. Forbes called him "one of the most mysterious and innovative figures in technology." But the story explores the approach Liemandt and his team took to acquire enterprise software companies, install new leadership, lay off staff and hire significantly cheaper tech labor abroad. And the numbers are compelling -- $15 an hour C++ programmers. Those are Amazon warehouse wages -- and those $15 programming gigs don't come with much for benefits. Plus, they require you to install software to your computer that tracks surfing, keystrokes and even takes screen grabs and photos via your computer's camera -- and this is typically on a gig worker's personal computer, not an employers' machine. The story opens with this: From an office suite on the 26th floor of the iconic Frost Bank Tower in Austin, Texas, a little-known recruiting firm called Crossover is searching the globe for software engineers. Crossover is looking for anyone who can commit to a 40- or 50-hour workweek, but it has no interest in full-time employees. It wants contract workers who are willing to toil from their homes or even in local cafes. "The best people in the world aren't in your Zip code," says Andy Tryba, chief executive of Crossover, in a promotional YouTube video. Which, Tryba emphasizes, also means you don't have to pay them like they are your neighbors. "The world is going to a cloud wage." Tryba's video has 61,717 views, but he is no random YouTube proselytizer. He worked in sales at Intel for 14 years before serving in the White House as an advisor to President Obama's Council on Jobs and Competitiveness. Since 2014, Tryba has been the right-hand man of Joe Liemandt, one of the most mysterious and innovative figures in technology. In the 1990s Liemandt was the golden boy of enterprise software, a 30 Under 30 wunderkind before there was a Forbes 30 Under 30 list. Like Bill Gates before him, he dropped out of college, in his case Stanford, to start a company, Trilogy, and build his fortune. In 1996, at the age of 27, he made the cover of Forbes, and a few months later he appeared as the youngest self-made member of The Forbes 400, with a $500 million net worth.
Read more of this story at Slashdot.
Standing desks have become trendy in recent years -- so much so that they have been promoted by some health officials as well as some countries. Research, however, suggests that warnings about sitting at work are overblown, and that standing desks are overrated as a way to improve health. From a report: Dr. David Rempel, a professor of medicine at the University of California, San Francisco, who has written on this issue, said, "Well-meaning safety professionals and some office furniture manufacturers are pushing sit-stand workstations as a way of improving cardiovascular health -- but there is no scientific evidence to support this recommendation." Let's start with what we know about research on sitting, then explain why it can be misleading as it relates to work. A number of studies have found a significant association between prolonged sitting time over a 24-hour period and increased risk for cardiovascular disease. A 2015 study, for instance, followed more than 150,000 older adults -- all of whom were healthy at the start of the study -- for almost seven years on average. Researchers found that those who sat at least 12 hours a day had significantly higher mortality than those who sat for less than five hours per day. For convenience and comfort, it's nice to have options if you have various aches and pains -- "Alternating standing and sitting while using a computer may be useful for some people with low back or neck pain," he said -- but people shouldn't be under the illusion that they're getting exercise. A 2012 study in JAMA Internal Medicine followed more than 220,000 people for 2.8 years on average and found similar results. Prolonged sitting over the course of a day was associated with increased all-cause mortality across sexes, ages and body mass index. So did a smaller but longer (8.6 years on average) study published in 2015 in the Journal of Physical Activity & Health. Another study from 2015, which followed more than 50,000 adults for more than three years, also found this relationship. But it found that context mattered. Prolonged sitting in certain situations -- including when people were at work -- did not have this same effect.
Read more of this story at Slashdot.
A Charlie Brown Thanksgiving is the least of the Big Three Peanuts holiday specials. The Peanuts Gang’s take on Halloween gave us The Great Pumpkin, and A Charlie Brown Christmas became the standard by which all other Christmas specials were judged. When the Gang tackled Thanksgiving, however, there just wasn’t as much to dig into.
Or so I remembered.
But when I rewatched this one I found that the show packed a surprising amount of depth in between all the Snoopy shenanigans and toast-buttering montages. In fact if you look closely enough, I think you might find a statement about what it means to be an American.
Lucy appears in the opening of the special. She waxes poetic about the tradition of Thanksgiving football, then yanks the ball away before Charlie Brown can kick it. And then? She disappears. She is banished from the special, and doesn’t return for the climactic meal. I’m going to assume that the producers were worried she’d throw off the delicate balance they’d set up between Charlie Brown, Patty, and Marcie, but it becomes increasingly unsettling to watch her little brother spend Thanksgiving alone with the Browns.
Our thumb-sucking prophet returns! Linus, having shaken off the Great Pumpkin’s betrayal, is once again ready to help his friends with historical factoids and inclusive theology. When Charlie Brown is overwhelmed by the thought of unexpected guests, it is Linus who tells him to eat two dinners, thus appeasing everyone. When Patty points out that they should say grace before eating, it is Linus who just happens to have memorized the prayer said by Elder William Brewster over the first-ever Thanksgiving feast. And when Patty erupts in rage at Charlie Brown’s incompetence, it is Linus who puts their argument in a historical context, reminding everyone that while Thanksgiving dinners come and go, the imperfections of human nature are eternal.
OK, so it makes sense that there are no visible grown ups in the Halloween special—adults are there to dispense candy. That is all. And in A Charlie Brown Christmas, the kids are putting on a pageant seemingly on their own, which can be interpreted as the community encouraging the kids to take responsibility for the show. Fine. But Thanksgiving? Thanksgiving is explicitly a family holiday. The pop culture narrative of Thanksgiving is all about trying to get home, having to suppress their own personality once you get home, squeezing every possible drop of comfort (and cash) out of your parents, or hosting (disastrous) dinners of your own.
Parents are always absent in the Peanuts universe, but in the Thanksgiving special their absence becomes eerie. And it isn’t just Charlie Brown’s pocket of the universe. Peppermint Patty calls, invites herself over, then tells ol’ Chuck that two more of her friends, Marcie and Franklin, have been given the OK to come over as well. So… this is three separate families who choose to set their children loose on a major holiday? And more unnerving, no one drops the three kids off at the Brown home – there’s no honk from a parent, or wave goodbye. Did they walk? Bike? Take a bus all the way across town on a day when most people are settling in around a table or in front of a TV? Then Charlie Brown, Sally, and Linus all take part in the 2:00 PM meal, so presumably the adult Browns (provided they’re not figments of Charlie Brown’s tortured imagination) are watching these proceedings from inside the house, but what of the Van Pelts? As I mentioned, Lucy disappears from this special, so is she just home with the Van Pelt parents, eating a traditional meal at their dining table? Helping her mother cook a turkey that Linus will soon dismiss in favor of a trip to Charlie Brown’s grandma’s place?
I love Wes Anderson. I don’t care about the fussiness, the repetitive plots, the twee, unrealistic dialogue, I just love him, and I have ever since I saw Rushmore. I believe that Anderson’s whole, multi-film project is to distill the emotion created by a Peanuts special and somehow build a movie around it, and it never fails to work on me. I would argue that it’s the Thanksgiving special above all that inspired him, because, well, look at that color palette.
Those clouds are the exact color of seasonal depression. But now, contrast with these two scenes from the end of the special, when it’s supposed to be about 4:30 in the evening:
Look at that amazing mauve! And this orange below, as the last bit of sunlight fades behind Snoopy and Woodstock:
Where the Halloween special gave us vibrant autumn colors, and the Christmas special contrasts Charlie Brown’s sadness with bright lights and starry skies, the Thanksgiving special fully submits to the muted colors and wistfulness of late November. Even though the special never reaches the heights of the Halloween and Christmas outings, the aesthetic here is by far my favorite.
I know, I know, heresy. I thought the Red Baron stuff in It’s the Great Pumpkin, Charlie Brown was odd, but at least it had real personality, and contributed an interesting moodiness to the special. Here, Snoopy gets in a fight with a garage door, then he gets in a fight with a lawn chair. He cooks most of the meal for the kids. He bullies Woodstock into cosplaying as a Pilgrim. Basically, he gets wayyy more setpieces and slapstick than any of the human characters, at the expense of three newer characters, Patty, Marcie, and Franklin, who could have been given more distinctive roles. Having said all of that, even I have to bow before Snoop’s toast-buttering skills:
There’s a reason the Peanuts specials have endured while others have fallen by the wayside. Part of that reason is that thanks to their underlying strain of depression, they reward repeat viewing by adults. But the bigger reason is that they capture the loopy, indirect way children think. When Patty invites herself over, Charlie’s first response isn’t “Why aren’t you spending this national holiday with your family?” It’s “I can’t cook a Thanksgiving dinner. All I can make is cold cereal and maybe toast.” And following on that logic, that’s exactly what they make. Toast, popcorn, jellybeans, pretzels, and something that’s either an ice cream sundae or a milkshake. And despite Patty’s disapproval, this is a perfect Thanksgiving feast. Just as the Pilgrims cobbled together whatever food they could, and took handouts of venison from Indigenous people, so the Peanuts Gang forages for a perfect kid-friendly meal, and is reminded that what truly matters is celebrating the holiday together, surviving the harsh New England winter, avoiding smallpox, and not being executed by King James I.
Patricia “Peppermint Patty” Reichardt was Schulz’ conscious response to the feminist movement of the 1960s. When she was introduced in 1966, she was the first female character to wear shorts and a t-shirt instead of a dress, and she defies the dress code (and cold weather) by wearing sandals every day. While a lot of the Peanuts girls play baseball, Patty loves sports, and is both the coach of her baseball team and an avid figure skater. She has a close relationship with her single, widowed father, and she waits up for him to get home from his late shift each night despite the fact that it exhausts her. She does terribly in school, maybe because of this. So right here we have a portrait of a working-class, iconoclastic, proto-feminist girl. And then we can look at her relationship with Marcie and bask in the glory of an aced Bechdel Test. Because while we see Lucy pal around with Frieda and Violet and the other girls, we more often see her acting as antagonist to Linus and Charlie Brown, and Sally is the eternal baby sister, tagging along with the bigger kids. But in Patty and Marcy we get a pair of equal female friends, who may fall into the roles of “brash tomboy” and “quiet nerd” most of the time, but who can also throw those roles out the window to have real conversations with each other.
Marcie, as a straight-up nerd, is also a new female character for the Peanuts world. She does well in school, she’s quiet and thoughtful, and seems to accept people. (Well, most people. She did punch a boy named Thibault in the face once for telling her that girls shouldn’t play baseball, and “should learn their proper place.”) She also takes Linus’ usual place as the moral center of the special. She calls Patty out for being rude, and then agrees to play peacemaker.
I think it’s also worth noting that Woodstock, the loopy bird who is still far more sensible and in touch with reality than his buddy Snoopy, was named for the concert, a nod to the hippies that many men of Schulz’ age would have just feared. Instead, Schulz extended an olive branch.
And finally, Franklin. Franklin was introduced in 1968, about three months after Martin Luther King Jr. was murdered. Schulz was urged to include an African-American character by a teacher named Harriet Glickman, who not only wrote to Schulz the first time, but also followed up with supportive letters from her black friends after Schulz worried that creating a character would be condescending. Once he came around, though, Schulz stuck to his principles; threatening to quit when an editor wanted him to remove the character, and depicting Franklin sitting with Patty and Marcie at school despite angry letters from segregationist Southerners.
Franklin is given very little to do in the Thanksgiving special. He asks if he should wear a tie, and gets a tiny moment of slapstick when Snoopy seats him in the evil lawn chair, but other than that he’s just… quiet. Patty is the real engine of the special, with Linus and Marcie as its moral voice. Franklin and Sally just kind of hang back and watch. Now, in 1973 this was still pretty groundbreaking, but as U.S. society has slowly, through gritted teeth, accepted that maybe sometimes progress happens, people have pointed out that the special may have perpetuated some of the racism it was trying to combat:
While I doubt this was intentional on the animators’ part, it is an interesting moment. Even as the special tries to embrace diversity, and reflect America as it is, it unintentionally highlighted the loneliness and tokenism of being the one POC at the table. It’s also interesting to note that if you search for A Charlie Brown Thanksgiving, you’ll find images for the Google Play interactive version of the special that change the seating arrangements:
There is one unambiguously cool moment, though, when Charlie Brown and Franklin greet each other with an elaborate handshake.
This moment more than any other highlights the fact that Franklin and Charlie do have a real relationship outside of this Very Special Special.
Thanksgiving is always a tense holiday. As Linus tells us, the United States was the first nation to devote a holiday to Thanksgiving, which on its surface is great. But it also means that depending on your religious and ethnic background, you could feel a terrible pressure to conform to an ideal “American” performance of the holiday. This holiday trades on a shallow and stereotypical view of Indigenous people without truly engaging with the history of colonialism. The idea of fighting over politics at the dining table is so ingrained that jokes about inappropriately intoxicated aunts and uncles have been staples of the holiday for decades. And obviously, if you’re a vegetarian, Thanksgiving is a minefield. Upon rewatching the special, I was happy to find that this tension is precisely where A Charlie Brown Thanksgiving shines. The kids gather around the table, reject the “traditional” meal for a far more whimsical one. Charlie Brown overcomes his fear of humiliation to offer his guests hospitality, and Linus and Snoopy come through by helping with the toast and the popcorn. They all gather together regardless of ethnicity, gender, or species. They’re seemingly all pleased with the nondenominational prayer Linus comes up with: “We thank God for our homes and our food and our safety in a new land. We thank God for the opportunity to create a new world for freedom and justice.” When one person (one of the most “progressive” members of the group) gets mad and demands her traditions back, she’s called out by her friend for her rudeness. And this is when the Thanksgiving miracle occurs: Patty realizes she’s been wrong and apologizes to ol’ Chuck. And as a reward for this open-mindedness, everyone is welcomed to the ultimate in tradition, a meal with all the trimmings at Grandma Brown’s. Has there ever been a Charlie Brown special with a happier ending?
Except, hang on, this isn’t the perfect Norman Rockwell painting you were imagining, because GRANDMA BROWN LIVES IN A CONDOMINIUM.
You may deny the future, but you can’t stop it from happening.
Originally published November 2016
Leah Schnelbach still hasn’t finished eating all of her Halloween candy, but that doesn’t mean she can’t make room for stuffing. And mashed potatoes. And cranberry sauce. And pumpkin pie. Come, feast with her on Twitter!
Researchers have discovered that the so-called Rowhammer technique works on "error-correcting code" memory, in what amounts to a serious escalation.
An anonymous reader shares a report from Ars Technica, written by Jon Brodkin: Nearly two years have passed since the Federal Communications Commission reported on whether broadband customers are getting the Internet speeds they pay for. In 2011, the Obama-era FCC began measuring broadband speeds in nearly 7,000 consumer homes as part of the then-new Measuring Broadband America program. Each year from 2011 to 2016, the FCC released an annual report comparing the actual speeds customers received to the advertised speeds customers were promised by Comcast, Time Warner Cable, Verizon, AT&T, and other large ISPs. But the FCC hasn't released any new Measuring Broadband America reports since Republican Ajit Pai became the commission chairman in January 2017. Pai's first year as chair was the first time the FCC failed to issue a new Measuring Broadband America report since the program started -- though the FCC could release a new report before his second year as chair is complete. For more than three months, Ars has been trying to find out whether the FCC is still analyzing Measuring Broadband America data and whether the FCC plans to release any more measurement reports. SamKnows, the measurement company used by the FCC for this program, told Ars that Measuring Broadband America is still active and that a new report is forthcoming, hopefully next month. But whether the report is released is up to the FCC, and Chairman Pai's public relations office has ignored our questions about the program. Because of Pai's office's silence, we filed a Freedom of Information Act (FoIA) request on August 13 for internal emails about the Measuring Broadband America program and for broadband speed measurement data since January 2017. By law, the FCC and other federal agencies have 20 business days to respond to public records requests. The FCC has denied Ars' request for "expedited processing," which "was warranted because the broadband measuring data is out of data, depriving American consumers of crucial information when they purchase broadband access," writes Brodkin. The FCC said, "we are not persuaded that the records you request are so urgent that our normal process will not provide them in a timely manner."
Read more of this story at Slashdot.
It enacted a worst-case, "black start" scenario: swaths of the country's grid offline for a month, battery backups exhausted.
Despite the fact that Firefly barely lasted a season on television over a decade and a half ago, there seemingly ain’t no power in the ‘verse that can stop it. From Serenity, to books, to yes, other comics, there’s been many attempts to continue where the show left off. Boom’s new comic wants to do that too, but it…
Growing up, I was obsessed with Greek mythology. I was that annoying kid “um actually”-ing Hercules in the theater, frustrated that a Disney movie didn’t make its star the bastard son of Zeus who murdered his wife and children in a rage. “He’s called Heracles.” I’ve long been fascinated with these legends and the…
An anonymous reader writes: WannaCry, once the greatest cybersecurity calamity in history, now doesn't work. A website critical to its function is now controlled by civic-minded security researchers, and the fixed deadline to pay the ransom has long passed. Yet WannaCry still accounts for 28% of ransomware attacks -- the most of any ransomware family. According to a new study by Kaspersky Lab, the defanged North Korea linked ransomware is still spreading uncontrollably. The spreading mechanism that passed WannaCry from victim to victim that was so virulent in the 2017 attack is still active, even if the ransomware itself isn't. The firm discovered that since the WannaCry outbreak in May 2017 has affected 74,621 users across the globe.
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When Disney's Captain Marvel put out a PSA encouraging their fans to vote, they also, unwittingly, encouraged people to call a sex hotline.
In their get-out the-vote ad, Captain Marvel lead Brie Larson is standing in a phone booth surrounded by Rock the Vote posters. "CAPTAIN MARVOTE IS A BAD PUN BUT NOW THAT I HAVE YOUR ATTENTION PLEASE VOTE TOMORROW," she says in a tweet.
CAPTAIN MARVOTE IS A BAD PUN BUT NOW THAT I HAVE YOUR ATTENTION PLEASE VOTE TOMORROW pic.twitter.com/ZhXk5Qzkt5
— Brie Larson (@brielarson) November 5, 2018
But along with her encouraging words is a phone number displayed on the booth's telephone, a number which was obviously photoshopped by the folks on the Captain Marvel promotional team. Obvious because the number – 1-800-654-2192 – was an ABC number ("It used to appear in shows like The Suite Life of Zac and Cody, and if you called it, you got an automated message from the network," according to Daily Dot). And ABC is a subsidiary of Disney, who distributes Captain Marvel.
Of course some Marvel fans were intrigued by the number and gave it a call, but rather than connecting to a superhero, they were greeted by a recording that says: “Welcome to America’s hottest talk line. Guys, hot ladies are waiting to talk to you—press 1 now. Ladies, to talk to interesting and exciting guys, free, press 2 to connect free now...."
Either ABC is looking for new ways to turn a profit, or they dumped the number but forgot to delete it from their phone book. Read the rest
One of the featured guests at Gen Con this year was Mercedes Lackey, returning for the second Gen Con in a row after she and her husband Larry Dixon were with Zombie Orpheus Entertainment last year. Unfortunately, Larry Dixon was not able to make it this year after all, due to recovering from a shoulder injury. Mercedes Lackey attended her panels on Thursday; however, Friday morning she had to be hospitalized due to an allergic reaction to paint fumes in her recently renovated hotel room. She had to stay overnight at the hospital, but recovered enough to come back to the convention on Sunday, where I caught up with her for a very brief interview.
Me: This is Chris Meadows here with Mercedes Lackey, who I am very happy to see is all right after she gave us all a scare this weekend.
Mercedes Lackey: It’s alive!
Me: This is the second year in a row you’ve been here with Zombie Orpheus Entertainment. That’s kind of unusual.
M.L.: That’s because my husband Larry Dixon is doing screenwriting for them.
Me: So it’s is continuing for the foreseeable future?
M.L.: Oh yes, he’s definitely on The Gamers screenwriting room. Gamers has been rebooted with the old characters coming back; you can get episode zero called “The Gamers: The Shadow Menace.” You can find it on the Zombie Orpheus website and you can find it on Amazon [Prime Streaming Video].
Me: When I spoke to you last year, you said that your Hunter trilogy was not going to go anywhere because Disney wasn’t interested in continuing it further?
M.L.: This is true. Disney only wanted the trilogy. So, unfortunately, unless I can get them to agree to let me publish independently, that’s probably going be it. Unless suddenly it decides to take flight and become an enomous hit again.
Me: You never know.
M.L.: You never know.
Me: But what else do you have planned for these days.
M.L.: Well, the last book of The Secret World Chronicle is out, Avalanche, and it wraps up all of the plot loose ends and a huge number of reveals. So, that’s out in August. And then in October is The Bartered Brides, which is the next Elemental Masters book. That’s another one with Sherlock Holmes and Nan and Sarah, except Sherlock doesn’t appear in this book because it takes place shortly after the infamous at the Reichenbach Falls. And I’m currently working on another book for Disney, which is called Godmother’s Apprentice—at least it’s called that right now—which is more of a standard fantasy. It’s kind of a Disney Princess for young adults rather than little girls, and I’m outlining the next of the Mags [Valdemar] books. This one is [about] his daughter Abby, who is an artificer.
Me: You already did one thing with godmothers back in your Five Hundred Kingdoms books.
M.L.: Right, this is a little different, this is more classic fairy godmothers.
Me: So, apart from the thing with the hotel, how has the con been for you this year?
M.L.: It’s been lots of fun. I’ve had a great time.
Me: It’s kind of like saying, “Apart from that Mrs. Lincoln…”
Me: But do you think you will be back for the next year?
M.L.: I don’t know. We haven’t planned that far ahead.
Me: We’d certainly like to see you.
M.L.: I do know the next convention we’re doing is in the middle of September, it’s Salt Lake Comic Convention. We haven’t been anywhere near there, ever, so it will be a whole new group of fans.
Me: Well, that’s gonna be pretty neat. Have you any further plans for any self published items?
M.L.: No, at this point I have so many contracts to write out that I literally don’t have any time to write anything to self-publish.
Me: I guess it’s better to have too much work than not enough.
M.L.: Oh yeah, we constantly need need to do the mortgage payments still.
Me: Is there anything else you’d like to say before I close it down?
M.L.: Yes, I really really appreciate all the incredible outpouring of concern when I went down. You really know how wonderful the fan community is when there are seven hundred messages on Larry’s Twitter all asking about it.
Me: Well, I think I can speak for all of us fans when I say that I’m really glad that you’re doing well. And I hope we will see you back again here next year.
M.L.: I hope so, too
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Dischord is to punk and indie rock what Def Jam and Death Row Records are to rap.
Dischord Records was formed in 1980 by Ian MacKaye and Jeff Nelson of Minor Threat fame.
Nothing is more punk than figuring shit out for yourself and then owning it like a fucking champ. Dischord was and is all up in DIY's face: all of the label's albums were produced in-house and distributed without the help--let's be honest and call it interference--by any major labels. The label's roster of artists is a who's who of who was in constant rotation on my used-to-death Panasonic portable cassette player, back in the day: Fugazi, Govenment Issue, Jawbox, S.O.A, Minor Threat and Shudder to Think.
I don't think it would be too over the top to say that Dischord was responsible for forming many of the political and ethical beliefs that I hold to be true to this day.
And now, the label's whole damn back catalog is free to stream on Bandcamp.
If you're looking to take a trip down hardcore punk memory lane, this is your chance. If you missed out on Dischord's seminal recordings the first go 'round and want to see what all of the fuss is about, this is also your chance. Listen, enjoy and, if want to keep a good thing going, throw some money at buying any of the tracks or albums that you wind up falling in love with.
Brian Kemp is the Secretary of State for Georgia, where is he also running for governor, meaning that he is overseeing his own election -- and in that capacity, he has purged thousands of Black voters from the rolls (the total purge runs to the millions) and distinguished himself as one of the last holdouts for replacing his state's worst-of-breed insecure voting machines with ones that produce a paper audit trail that can be consulted if they are suspected of malfunction.
Kemp, who is running against Stacey Abrams (a Black woman with an "unapologetic progressive" platform) has a long history of voting machine shenanigans (one set of machines was wiped right after Georgia voters filed a lawsuit involving them) and his campaign has been a mix of (semi)coded racism and performative tough-guy stunts.
His latest eleventh-hour salvo has reached a new low for absurdist tragicomedy: Kemp has accused the Democratic Party of hacking into the state's voter registration system in order to steal its records (these records are sold to anyone who asks, by the State of Georgia, for $250!).
Besides the "the Demmycrats hacked us to save $250" weirdness, there's plenty more surrealism in Kemp's accusation: Kemp has accused the Democrats of two separate, mutually exclusive offenses: hacking into the voter registration system to steal its data, and hacking into it to expose its vulnerabilities (vulnerabilities, mind, which have been lavishly documented and demonstrated by independent security researchers).
Kemp is a serial offender when it comes to false accusations of hacking voting systems: in 2016, he accused the Department of Homeland Security of hacking Georgia's vote (in reality, someone at the DHS had visited Kemp's Secretary of State website.
While anything is possible, Kemp's claims seem unlikely on their face, especially when you parse what little information his team has provided. “We opened an investigation into the Democratic Party of Georgia after receiving information from our legal team about failed efforts to breach the online voter registration system and My Voter Page,” his office said in a statement. “We are working with our private sector vendors and investigators to review data logs.”
A legal team seems like a surprising source for the discovery of a hacking attempt, and the fact that security teams then began reviewing the logs makes whether any suspicious activity was actually seen an open question. Kemp’s office did not provide any information about the alleged attack, or when it purportedly occurred.
“While we cannot comment on the specifics of an ongoing investigation, I can confirm that the Democratic Party of Georgia is under investigation for possible cyber crimes," Georgia secretary of state press secretary Candice Broce wrote in a statement. Not sharing details of an investigation is a common practice, but that supposed restraint apparently did not apply to the direct, vocal accusation of Kemp's Democratic opposition.
Citing No Evidence, Brian Kemp Accuses Georgia Democrats of Hacking [Lily Hay Newman/Wired]
Starman and its Tesla Roadster are officially a long, long way from home. SpaceX has confirmed that Falcon Heavy's test payload has passed Mars' orbit, putting it at one of its greatest distances away from the Sun (it should reach its far point on N...
EFF filed papers with the court in its long-running Jewel v. NSA mass spying case today that included a surprising witness: Edward Snowden. Mr. Snowden’s short declaration confirms that a document relied upon in the case, a draft NSA Inspector General Report from 2009 discussing the mass surveillance program known as Stellar Wind, is actually the same document that he came upon during the course of his employment at NSA contractor. Mr. Snowden confirms that he remembers the document because it helped convince him that the NSA had been engaged in illegal surveillance.
Mr. Snowden’s declaration was presented to the court because the NSA has tried to use a legal technicality to convince the court to disregard the document. The NSA has refused to authenticate the document itself. This is important because documents gathered as evidence in court cases generally must be authenticated by whoever created them or has personal knowledge of their creation in order for a court to allow them to be used. The NSA is claiming that national security prevents it from saying to the court what everyone in the world now knows: that in 2009 the Inspector General of the NSA drafted a report discussing the Stellar Wind program. The document has been public now for many years, has never been claimed to be fraudulent, and was the subject of global headlines at the time it was first revealed. Instead of acknowledging these obvious facts, the NSA has asserted that the plaintiffs may not rely upon it unless it is confirmed to be authentic by someone with personal knowledge that it is.
Enter Mr. Snowden. The key part of his five paragraph declaration states:
During the course of my employment by Dell and Booz Allen Hamilton, I worked at NSA facilities. I had access to NSA files and I became familiar with various NSA documents. One of the NSA documents I became familiar with is entitled ST-09-0002 Working Draft, Office of The Inspector General, National Security Agency, dated March 24, 2009. I read its contents carefully during my employment. I have a specific and strong recollection of this document because it indicated to me that the government had been conducting illegal surveillance.
The government took a similar unfounded position with regard to another document – an Audit Report by the NSA in response to a secret FISA Court Order – that it produced to the New York Times in response to a Freedom of Information Act request. The Vice President and Deputy General Counsel of the New York Times David McCraw, provided a simple declaration to authenticate that document.
“Everyone knows that the government engages in these surveillance techniques, since they now freely admit it. The NSA’s refusals to formally ‘authenticate’ these long-public documents is just another step in its practice of falling back on weak technicalities to prevent the public courts from ruling on whether our Constitution allows this kind of mass surveillance of hundreds of millions of nonsuspect people,” said Cindy Cohn, EFF’s Executive Director.
Mr. Snowden and Mr. McCraw’s Declarations are part of EFF’s final submission to the court to establish that its clients have “standing” to challenge the mass spying because it is more likely than not that their communications were swept up in the NSA’s mass surveillance mechanisms. These include telephone records collection, Internet metadata collection, and the upstream surveillance conducted, in part, at the AT&T Folsom Street Facility in San Francisco. Mr. Snowden’s declaration joins those of three additional technical experts and another whistleblower whose declarations were filed in September. The court has not set a hearing date for the matter.
Researchers have long suspected that a supermassive black hole lies in the center of our galaxy, and now they have strong evidence to support that suspicion. Using the Very Large Telescope -- an array of four individual telescopes stationed in the At...
Oregon Senator Ron Wyden has introduced the Consumer Data Protection Act that "would dramatically beef up Federal Trade Commission authority and funding to crack down on privacy violations, let consumers opt out of having their sensitive personal data collected and sold, and impose harsh new penalties on a massive data monetization industry that has for years claims that self-regulation is all that's necessary to protect consumer privacy," reports Motherboard. From the report: Wyden's bill proposes that companies whose revenue exceeds $1 billion per year -- or warehouse data on more than 50 million consumers or consumer devices -- submit "annual data protection reports" to the government detailing all steps taken to protect the security and privacy of consumers' personal information. The proposed legislation would also levy penalties up to 20 years in prison and $5 million in fines for executives who knowingly mislead the FTC in these reports. The FTC's authority over such matters is currently limited -- one of the reasons telecom giants have been eager to move oversight of their industry from the Federal Communications Commission to the FTC. "Today's economy is a giant vacuum for your personal information -- everything you read, everywhere you go, everything you buy and everyone you talk to is sucked up in a corporation's database," Wyden said in a statement. "But individual Americans know far too little about how their data is collected, how it's used and how it's shared." "It's time for some sunshine on this shadowy network of information sharing," Wyden said. "My bill creates radical transparency for consumers, gives them new tools to control their information and backs it up with tough rules with real teeth to punish companies that abuse Americans' most private information."
Read more of this story at Slashdot.
Harry Potter and the Cursed Child has been on Broadway for about six months and collected six Tonys after a successful run in London. I was lucky enough to see the play a few months ago, and while I liked it enormously, I can’t stop thinking about how odd it is. With Cursed Child, Rowling foregoes the possibility of a simple fun adventure and instead adds a coda to the series-long meditation on death, and continues her ongoing
tickle fight conversation with the moral fantasy of C.S. Lewis.
Has there ever been a blockbuster/franchise/pop-culture-phenomenon more death-obsessed than Harry Potter? The Narnia books at least give us pages full of whimsy and adventure before cranking the stakes up. Death looms over The Hunger Games, obviously, but the books are also about political strife and governmental overthrow and class warfare. Star Wars tends to sanitize its deaths, with lightsabers cauterizing wounds and Jedi masters literally disappearing so there isn’t any gore to confront. And when you look at The Lord of the Rings? Sure, death is pretty much Mordor’s Big Mood—but Tolkien’s books are as much about hope and battle and honor and gardening and the powerful love between an elf and a dwarf as they are about mortality.
The Harry Potter books are about death in a way that the others are not, and about the different ways of responding to its inevitability: a villain whose entire life revolves around finding immortality no matter the cost; a hero haunted by witnessing his parents’ deaths; a wizard supremacist cult literally called the Death Eaters; the endless speculation that began just before Book 4 came out about WHO WOULD DIE; the dawning realization that at least one beloved character was going to die in each book from #4 onwards; horses that were only visible to people who have lost loved ones; gallows humor throughout; and three magical MacGuffins called The Deathly Hallows.
Rowling begins her story mere minutes after James and Lily’s murders with a focus on Harry’s scar—his death, really, waiting in his head—and ends it with a resurrected hero who goes out of his way to destroy magical access to immortality. And hovering around all of this is the question of what comes after death—whether the ghosts of Lily and James are truly conscious ghosts or just a sort of echo, and what it will mean for Harry to fulfill his destiny and die.
Which makes it all the more interesting that the HP series is resolutely, gloriously secular. The magic the wizards and witches use is hard work, and requires training and homework. There are few miracles, aside from the occasional assist from the Sorting Hat or Fawkes; the students and their teachers have to rely on themselves to defeat evil. Prophecies are potential futures to be dealt with, not Capital-A apocalypses. Where many fantasy series either encode Christianity into their DNA (The Lord of the Rings, Narnia) or create religions for their characters to follow (The Stormlight Archive, Star Wars) the characters of the Potterverse celebrate Christmas and Halloween as cultural holidays with trees for one, pumpkins for the other, and chocolate for both. There is never any sense that the kids practice the Christianity of Christmas or the Celtic Paganism of Samhain. There’s no mention of High Holy Days or Ramadan fasts. There are no non-denominational chapels in Hogwarts. The one wedding we attend is at the Burrow, and someone described only as a “small, tufty-haired wizard” presides over the lone funeral.
But in the midst of this secularism, Rowling uses Christian imagery, returning to them over and over again and infusing them with new meanings each time. She riffs on them in ways that startled me when I read the series the first time, and I was astonished when she returned to them and remixed them again for Cursed Child. When I watched the play I found myself thinking again and again about the stark contrast between Rowling and C.S. Lewis.
Though The Last Battle wasn’t published until 1956, Lewis finished the Chronicles of Narnia before he met, married, and lost Joy Davidman. He explored the liminal time of mourning in A Grief Observed, publishing the book in 1961 under the pseudonym N.W. Clerk—he didn’t want people who read his apologetics or his children’s fantasies stumbling across such a raw, painful work. (It was only after his own death in 1963 that the book was republished under his name.) While I don’t feel that I’m qualified to psychoanalyze Lewis, I do think it’s worth noting that The Last Battle, with its hardline theological attitude toward Susan, and its conception of Tash as simply evil, was written before Lewis’ spirituality was reshaped by grief, whereas Rowling wrote the Harry Potter series largely in direct response to nursing her mother through a long final illness. She was still reeling from that loss (as well as the ending of her first marriage and the birth of her first daughter) when she began writing a series about the consequences of trauma, and the ongoing pain of mourning. So why am I dragging Lewis into this?
He and Rowling each wrote hugely popular—and completely different—rewrites of Christianity.
Rowling has spoken about her uneasiness with the way Lewis encodes a theological agenda into his books. Because Lewis’ books, much like Tolkien’s, don’t just toss in a Nativity or a general idea of sacrificing oneself for the greater good—they entwine hardcore theology and theodicy into the entire series, and create action that hinges on that theology.
Hang on, does everyone know what theodicy is? It’s basically “the problem of evil” or the study of why an omnipotent, omniscient, and benevolent God would allow evil in the world It created. The term was coined by Gottfried Leibniz (one of the two men who invented calculus!) in 1710, in a book helpfully titled Théodicée, but the idea has been around much, much longer. There are many different schools of theodicy and anti-theodicy (some which sprung up as direct responses to the horror of the Holocaust, for instance) and C.S. Lewis dug into it with several books, specifically Mere Christianity, The Problem of Pain, and A Grief Observed. Mere Christianity, for instance, tackles free will by comparing God to a mother who tells her child to clean its room. Sure, this might fail—the child might ignore its mom, leave the room messy and never learn the value of cleanliness—but by offering the child the choice to clean its room or not, the mother is allowing the kid to grow up, determine its own living space, take pride in its cleanliness, and generally become a better, more responsible adult. C.S. Lewis applies the same logic to God, saying: “It is probably the same in the universe. God created things which had free will. That means creatures which can go either wrong or right” and even though humans can do evil things, and create great suffering, having free will is better than the alternative because “free will, though it makes evil possible, is also the only thing that makes possible any love or goodness or joy worth having.”
This idea is baked into every page of the Narnia books.
Narnia is essentially a series explaining free will, the problem of pain, and faith to children through exciting stories and cute animals. The Lion, The Witch and the Wardrobe starts off fun and whimsical: Lucy finds the cupboard! Beautiful snowy woods! Lamppost! Tumnus! But soon it’s revealed that the kids have stumbled onto a cosmic battle. Edmund shows us the dark side of free will (and the need to remain morally vigilant in the face of Turkish Delight) by using his freedom to betray his siblings and Aslan, while the White Witch shows us the evil of ultimate selfishness, and Aslan presents another side of free will. The mighty lion, who has seemed comforting and omnipotent to the abandoned children, hands himself over to the Witch so he can be a willing sacrifice in exchange for the traitorous Edmund. Though he could easily escape, he chooses to be tortured, to allows them to manhandle him and shave his mane. He allows himself to be humiliated.
Susan and Lucy, having followed Aslan, are asked to act as silent, helpless witnesses. Finally, once Aslan is really most sincerely dead, the White Witch and her followers gloat over his corpse, and leave it to rot. Lucy and Susan stand watch over Aslan’s ruined body, and their loyalty is rewarded when they are the first witnesses to his resurrection. This is all, note for note, the arc of Gethsemane, the Crucifixion, and the Resurrection, with Edmund playing the Judas role and the girls standing in for the various Marys and Magdalenes. And as in the Christian story, the important part is the willingness of the sacrifice. Lucy and Susan are seeing someone with enormous power relinquish that power for a larger purpose, but they don’t know that a long-game scenario is playing out, they just know that they love their friend and they’re going to stay with him until he gets a proper burial.
Then their faith in Aslan is confirmed when he comes back even stronger than before. Death doesn’t win—and Aslan reveals that there is a “deeper magic from before the dawn of time” (a magic the White Witch knows nothing about) which will resurrect an innocent being who has given his life for a traitor. This is only the barest allegorical gloss slapped over Christian theology, with Aslan acting as a stand-in for Christ, and the human race being a big bunch of Edmunds, betraying each other and ignoring moral law in favor of all the Turkish Delight life has to offer.
Aslan is presented as a deity figure who is actually worshipped, not just loved—he appears as a lamb in The Voyage of the Dawn Treader, and is revealed to have created Narnia itself in The Magician’s Nephew. He also appears as a supernatural bogeyman to the followers of Tash—Aslan’s power simply translates into its evil counterpoint for them. When the series culminates in The Last Battle, it’s revealed that faith in Narnia/Aslan has allowed all the “Friends of Narnia” to return (and that Susan’s lack of such faith left her on Earth), and that all “good” followers of Tash get to come along to a Heaven that is sort of a deluxe Narnia: “I take to me the services which thou hast done to Tash… if any man swear by him and keep his oath for the oath’s sake, it is by me that he has truly sworn, though he know it not, and it is I who reward him.”
In this way Lewis creates a stand-in messiah, twines the quasi-Jesus story around the core of his fantasy series, and riffs respectfully on Christian theology. He takes the somewhat liberal (and controversial, in some theological circles) Inclusivist stance that good works can get people into paradise apart from their conscious faith in his specific savior figure. He also obliquely returns to the idea of pain as a force for growth with the character of Susan.
How could Aslan allow Susan to survive the train crash that kills her entire family? Well, if you want to a theodical interpretation, grief will teach her more about the importance of faith in her life, until she’s ready to come back to Aslan, believe in Narnia, and rejoin her family. Unnecessarily harsh for a series of children’s books, you say? Lewis was trying to put forth a very specific theological idea, which was that having free will meant you had the ability to fuck up as Edmund and Susan both do. As a true Friend of Narnia, you need to keep faith with Aslan, and be obedient to him. Lewis’ moral lesson is to trust your elders and your God, and his books are essentially softening his young readers’ hearts for lives spent believing in Christianity.
Sometime early in the writing of her Harry Potter books, Rowling also decided to weave Christian symbolism into the story, but arrived at a very different moral conclusion than Lewis.
Rowling effectively collapses the Nativity and the Crucifixion into one scene: Harry as an infant is helpless in his crib when Voldemort comes to visit. (An inversion of the Three Kings? Or maybe a nod to Maleficent.) James tries to stop him and is easily cast aside (the human father, like Joseph, being a background character compared to the Chosen One’s mother), and it’s Lily who steps up and sacrifices her life for Harry’s. She replaces her son’s death with her own, and invokes a type of love that is a deeper magic than Voldemort can understand. This mirrors the “deeper magic from before the dawn of time” that brings Aslan back to life, to the chagrin of the White Witch.
This is the moment that makes Harry Potter who he is. Not just in the sense that he’s a celebrity orphan, but that he is now on a path created by a sacrifice that will lead to a second sacrifice. It began with a green flash that meant his death, and it ends in facing that death all over again. Rowling seeds this throughout the series: the Mirror of Erised shows him his family, whole and happy. The Dementors force him back into a memory of his last moments with his parents—and in a fantastic twist, he realizes that he almost welcomes the Dementor’s Kiss because it triggers those memories. When Harry faces Voldemort for the first time in Goblet of Fire, the shades of his parents emerge from the wand and protect him.
In almost every book Rowling finds a way to check back in with that origin scene, reworking it from different angles, refracting it through different lenses. Harry’s parents’ deaths are interrogated repeatedly, much as the Nativity is relived through the Peanuts gang, and generations of Sunday School Christmas pageants, and the Crucifixion is reinterpreted through Passion Plays, productions of Jesus Christ Superstar, and the occasional Martin Scorsese film. Just as every Midnight Mass homily revisits the Nativity, so all the major Harry Potter characters find ways to retell stories about The Boy Who Lived. Just as Andrew Lloyd Webber, Tim Rice, and Nikos Kazantzakis each retell Jesus’ crucifixion through the point of view of Judas, so Rowling shows us Harry’s memories of that day, Sirius’ memories of being the Potters’ Secret Keeper, Hagrid’s first moments with Baby Harry, Aunt Petunia’s insistence that her sister died in a car crash. This eternal return begins to feel like an obsession by Prisoner of Azkaban, but Rowling was just getting started.
With Goblet of Fire, Rowling backs off (slightly, temporarily) on reliving That Day, and instead kicks the series into high gear with a remorseless killing spree. Harry watches Cedric die, then Sirius, then Dumbledore, then Dobby, then Snape. Bill Weasley is maimed and George loses an ear in Death Eater attacks. The Ministry falls, and the wizarding world collapses into Magical Fascism. Harry even gets his own Judas figure in Peter Pettigrew, who betrays the Son as he betrayed the Parents. Throughout all of this, with the terrifying wizard of our collective nightmares gaining more and more power, at no point does anyone offer any sort of religious structure, theology, belief system, theodicy, nothing. Or, well, almost nothing.
We get the stories of the Deathly Hallows themselves, in which Rowling teases real magical artifacts in the Tales of Beedle the Bard—which most mature wizards think of as bedtime stories for their children. (This in itself is an interesting twist: the stories Ron dismisses as juvenile fables turn out to not only be true, but vitally important to Voldemort’s defeat.)
Finally, Rowling makes a point of intersecting her Wizarding story with the Muggle world by placing James and Lily’s house in Godric’s Hollow, across the street from a church. She shows us the gravestones of the Dumbledore family and the Potters, which read “Where your treasure is, there will your heart be also,” and “The last enemy that shall be destroyed is death,” respectively. The first is a memorial to Dumbledore’s mother and sister, an acknowledgement of his love for them despite all of his ambition and a life spent at Hogwarts. It’s also a quote from the New Testament: Matthew 2:21. The Potters’ shared stone is a nod to the Deathly Hallows (and a slightly on-the-nose reference to the theme of the entire series) but it’s also 1 Corinthians 15:26. Given that up to this point the series has been resolutely secular, I still remember having to reread that passage a few times. Rowling gave us an unchurched world, without even a perfunctory Church of England Midnight Mass, but suddenly Corinthians is relevant? Albus Dumbledore likes the Gospel According to St. Matthew enough to put it on his family grave? (I mean, unless he’s a Pasolini fan, but there’s no textual evidence for that.)
Of course the next notable thing to me is that Harry and Hermione seemingly have no idea what these quotes are. Neither of them have been raised with Christianity, or even a passing knowledge of the Hebrew Bible or New Testament, so this whooshes right over their heads. It’s a fascinating choice to create the alternate wizarding world, make it secular, and then, in the last book, imply that at least some people from that world also value one of the religions of the Muggle world. Especially while also making the explicit point that the two quotes are meaningless to the two main characters. Who chose the inscription for the Potters? Was it Dumbledore? The Dursleys? Some rando vicar?
But all of those questions fade into the background as Rowling uses the end of the book to dive into her second great religious remix—in this case, riffing on The Lion, the Witch and the Wardrobe’s version of the Crucifixion.
Just as Lewis did, Rowling rewrites Jesus’ dilemma at the Garden of Gethsemane. Harry hears Voldemort’s offer—he’ll end the assault on Hogwarts if Harry surrenders—and then he watches Snape’s memories in a Pensieve in Dumbledore’s office. He finally sees Dumbledore’s full plan, and realizes that his mentor had been planning his sacrifice from the beginning. Snape even accuses Dumbledore of fattening him for slaughter like a pig. Harry has to reckon with the fact that, at 17 years old, his life is over. Everything since his first birthday has been borrowed time.
This digs into an interesting debate about free will. On the one hand, Harry’s fate was sealed when Voldemort cursed him as a baby and locked him into life as the Chosen One. But on the other, Harry has to make the free, unforced choice to walk to his execution. He has to allow Voldemort to torture him, humiliate him, make him beg—no matter what, Harry, like Aslan, has to remain passive for the sacrifice to work. But this is Harry, who runs toward trouble, who jumps into action and looks for danger later, who doesn’t ask permission, who doesn’t consult teachers, who risks his life for his friends every year like it’s nothing. Harry doesn’t do passive. And we, as readers, have been trained to expect last-minute acts of derring-do (or last-minute Hermione-ideas that save the day) so it comes as a bit of a shock when Harry accepts this, works through his anger at Dumbledore, and chooses to die a second time.
Part of the point of Gethsemane is that Jesus explicitly asks to opt out of the sacrifice he’s being asked to make—theologically, this is emphasizing the human side of his nature, and giving the mortals reading/hearing the story a moment to relate to. To make it even worse, he explicitly asks his disciples—his friends—to stay up with him so he doesn’t have to spend his last night alone. They immediately pass out, which serves a ton of narrative purposes: it leaves Jesus even more bereft, demonstrates the weakness of human flesh, foreshadows the betrayals of both Judas and Peter, and serves as a symbolic warning against sleeping through a shot at redemption. (The other fascinating thing here is that you, the reader/hearer, are now essentially put in the place of either a disciple who managed to stay awake, or, if you want to be a bit more pretentious about it, God. After all, you’re the one hearing the request, right? And rest assured Rowling tweaks this element in a fascinating way that I’ll look at in a few paragraphs.)
In The Lion, the Witch and the Wardrobe, Gethsemane is sort folded into the Crucifixion, as Aslan doesn’t have any visible moment of doubt, he simply asks Lucy and Susan to stay quiet and watch his execution. (I’ll risk the assumption that Lewis wasn’t comfortable making his Jesus Lion look weak, even for a larger theological purpose.)
Rowling’s rewrite confronts this scene much more boldly. First, unlike Jesus—but like Aslan—Harry never asks to get out of his sacrifice. He wants to, desperately, but he never quite succumbs to the temptation to ask for help. Part of that could just be that Rowling has created a universe that doesn’t seem to have any sort of deity or ultimate boss to appeal to—Dumbledore is the last authority, and he’s already made it clear that he needs Harry to die. Second, unlike Aslan (and, probably, Jesus) Harry has no guarantee that he’ll be coming back—quite the opposite. He assumes he’s going to die as a Horcrux, that he’ll be completely destroyed. He accepts his own death because it makes narrative sense, basically. By dying, he can fulfill Dumbledore’s plan. Unlike Jesus, Harry at least gets to look through his history in the Pensieve, learn Dumbledore’s entire long game, and see that his loved ones will go on to live their lives free of Voldemort’s evil at last. He can choose to be angry at Dumbledore, or he can rationalize that the Headmaster hid the plan in order to allow Harry seven happy-ish years at Hogwarts—it was the only gift he could offer to make up for Harry’s miserable life with the Dursleys, and the sacrifice that lay ahead.
Harry doesn’t ask any of his friends to stay and keep him company. He explicitly avoids speaking to them because he knows that will destroy his resolve and instead visits them under the invisibility cloak so he can have a last moment of seeing them. He drops the cloak long enough to warn Neville that Nagini must be killed if Voldemort is going to be defeated, knowing that he won’t be there to see the defeat. Then he walks into the forest.
Rowling is nicer than both God and C.S. Lewis, however, because Harry isn’t completely abandoned: once again, the shades of his parents accompany him, as they did during his first real fight with Voldemort. This time they’re joined by Sirius and Lupin. The ghosts assure him that death doesn’t hurt, and that they’re proud of him. I would argue that this is the emotional climax of the series, where Harry gets all the love and validation he’s craved while coming full circle to face Voldemort. This is also a perfect narrative move on Rowling’s part, as it shows Harry in a liminal space between life and death—he makes himself a ghost with the invisibility cloak, then he is guarded by ghosts as he goes to his sacrifice in the forest. He’s being eased into death, which creates a very particular tone to the chapter. For a reader, these pages feel like taking a moment to breathe after the anger and shock of learning Harry’s destiny.
And then Harry faces Voldemort.
Harry reenacts his ancestor Ignotus Peverell’s meeting with Death when he throws the cloak off—but obviously Voldemort, who has spent his unnatural life enacting the follies of the other two brothers, does not meet Harry like an old friend. The calm atmosphere is destroyed, the ghosts are gone, and he is mocked as the Death Eaters hurl abuse at him. Worst of all, Harry sees Hagrid, the man who rescued him from the Dursleys and introduced him to a new life, abused mercilessly. He is powerless to help.
Harry is finally killed—Rowling has Voldemort finish him off with a simple Avada Kedavra, avoiding the protracted torture of Jesus or Aslan.
Of course, it’s possible to see Harry’s torture woven into his life—through Snape’s punishments, through Umbridge’s punishments, through all the painful Horcrux searches—underlining the idea that pain is simply part of life to be dealt with, not a teaching tool or a punishment from On High.
After Harry decides to come back from (ahem) King’s Cross, all the pain of being alive comes back, too; and he has to try to stay calm and play dead as the Death Eaters throw his body around like a toy—again, as with Aslan, the most important element here is humiliation, and Rowling uses this term several times. The only way to break the spirit of Dumbledore’s Army is to show them their leader broken. This was why crucifixion particularly was used on people who broke societal laws or tried to lead uprisings—not just Jesus, obviously, but Spartacus and his followers, Peter, and plenty of other would-be messiahs and revolutionaries—and why similarly horrific tortures were visited on people like civil rights workers in the 1960s, and protesters around the world today.
Simply beheading someone, or hanging them, or standing them before a firing squad isn’t going to break a movement, and martyrs only strengthen movements. You have to show the martyr’s followers that there is no hope. This is what the Romans were doing when they left people hanging on crosses for days in the sun, what kings were doing when they left heads on pikes. This is what the White Witch is doing by leaving Aslan’s body out to decay on the stone tablet. This is what Voldemort is doing when he casts Crucio on Harry’s body and flings it around like a broken doll. Voldemort orders one of the Death Eaters to replace the glasses on Harry’s face so he’ll be recognizable, which, in a single offhand sentence gives us some idea of how battered his body is. Harry can’t just be dead—he has to be desecrated. In a grotesque mirroring of the night Hagrid took Harry from the Nativity/Golgotha of Godric’s Hollow, he is forced to carry what he believes is Harry’s corpse back to Hogwarts.
Rowling has commented that she wanted the man who brought Harry into the Wizarding World to be the one who carries his body back to his true home, Hogwarts. She’s also continuing her Crucifixion imagery by riffing on the Pietá, and of course underscoring the evil of the Death Eaters, that they would make Hagrid do this. She dwells on this section, making it incredibly hard to read, I think to grind it into her young readers’ minds that this is the risk you’re taking when you resist evil. She did, after all, spend her youth working for Amnesty International—she has an intimate knowledge of the sorts of horrors tyrants visit upon dissenters. She’s showing her readers exactly what can happen when you rebel against someone who doesn’t see you as truly human. She stays in this moment far longer than I would expect from what is, essentially, a children’s book, before reassuring her readers that there’s still hope.
Harry had told Neville that someone needed to dispatch Nagini to make Voldemort vulnerable, but Neville himself still has no reason to believe they will win when he draws Gryffindor’s sword. He has every reason to believe that he is dooming himself by attacking—especially seeing what’s been done to Harry. All of them fight together, while Harry, invisible under his cloak, acts as a sort of protective angel during the last battle of Hogwarts. He defeats Voldemort with all of his friends around him, using a disarming spell to the last, and still imploring his nemesis to repent. And this is the last great subtle point Rowling makes with her main series: rather than waiting for a savior or tying everything to one guy, the Wizarding world unites into a collective to fight the Death Eaters, even in the face of impossible odds. Rather than seeking simple vengeance, her hero fights to protect his loved ones, all the while trying to turn his enemies to a better life.
Which is why his side wins.
Hang on, let’s have a brief note about REMORSE, shall we?
It’s in King’s Cross that we get the sense of what Rowling means by “remorse.” At first it seems like just a casual phrase. Of course Sirius is filled with remorse over his pact with Pettigrew. Of course Snape is filled with remorse when he learns that it was his intel that led to Lily’s death. But as the references accumulate it becomes clear that “remorse” is a moral, expiatory force in the Potterverse. Albus’ remorse over his mother’s and sister’s deaths is actively repairing the damage that he did to his soul when he dabbled in dark arts with Grindelwald. Snape is repairing the damage done by his Death Eater days, and the fact that he takes the hit by killing Dumbledore so Draco won’t have to probably does more good than harm:
“That boy’s soul is not yet so damaged,” said Dumbledore. “I would not have it ripped apart on my account.”
“And my soul, Dumbledore? Mine?”
“You alone know whether it will harm your soul to help an old man avoid pain and humiliation,” said Dumbledore.
So when Harry gets to King’s Cross and hashes things out with Dumbledore, the tiny mewling creature he sees is what’s left of Tom Riddle’s murderous, furious, Horcrux-bitten soul. Dumbledore explicitly says he can’t do anything for him. But of course this is Harry we’re talking about. So naturally Rowling, unlike Lewis, makes a point of having her Jesus figure reason with the devil. After he sees what becomes of the man’s soul in King’s Cross, Harry faces Voldemort a final time and speaks to him as a person, calling him Tom, and imploring him to think about consequences:
It’s your one last chance, it’s all you’ve got left… I’ve seen what you’ll be otherwise… Be a man… try… Try for some remorse.
And then Harry doesn’t die in battle, and he doesn’t kill Voldemort. The Dark Lord’s own curse rebounds on him, and Rowling again departs from Lewis. Where the Pevensies live in Narnia as kings and queens, and then turn out to be teens in the regular world before the train wreck in The Last Battle, Rowling allows Harry to grow up—or maybe the truer thing to say is that she forces him to grow up. He doesn’t get to die a hero. In the Deathly Hallows epilogue, we see that his life is still largely defined by That Night—his life, and the health of the wizarding world, is characterized not by joy or contentment but by a lack of pain: “The scar had not pained Harry for nineteen years. All was well.”
And now fast forward nine years to the 2016 premiere of Harry Potter and the Cursed Child, and give yourself a moment to think of what the play could have been:
Do you see what I mean?
It could have been anything. Any plot, any adventure. But instead Rowling and her author, Jack Thorne, choose to revisit her great obsession: death in general, and the moment of Harry’s parents’ deaths in particular—until the play becomes a four-and-a-half-hour-long memento mori. As we hop across timelines, we learn that almost every character we’ve loved has died. Draco Malfoy’s wife dies. Muggles are tortured off-stage. An alternate-universe Snape succumbs to a Dementor’s Kiss. Most interesting, Rowling and Thorne also refract Cedric Diggory’s death in exactly the way Rowling did Harry’s parents’: Now it is Amos Diggory’s grief for his son, and his son’s life and death, that become a crux point for the main plot as Harry and Draco’s sons team up to try to save Cedric’s life, and then have to deal with the consequences of their actions when they screw up their timelines. By the end of the play we seem to be learning a darkly beautiful lesson: Cedric’s death was necessary. Even though Voldemort refers to him as “the spare,” the play shows us that his death was just as vital a sacrifice as Lily’s or Dumbledore’s.
The play is awash in death.
And there’s no relief once we finally come back to the “correct” universe—once Albus and Scorpius are kidnapped, we learn that it’s only a matter of time before Delphini fulfills her own prophecy, and snuffs out an entire timeline.
But this is all child’s play compared to adult Harry’s arc. We watch as The Thirtysomething-Who-Lived reckons yet again with the tragedy that has defined his life. Throughout the play he’s plagued by nightmares of Voldemort. This is an obvious narrative choice, as it leads into the dramatic reveal that his scar is hurting again, but many of the nightmares and flashbacks are not necessary to the story.
Twice, in apparent memories, we go back to Harry’s childhood as a boy under the stairs. In one, a nested-Voldemort-nightmare scares him so badly he wets the bed, which leads to Aunt Petunia screaming at him in disgust while also insisting that the flash of light he’s remembering was the car crash that killed his parents. This deepens our view of Petunia as an abuser—it’s one thing to try to hide magic from a child, especially in light of what a magical life did to your sister, but it’s quite another to gaslight that child about his parents deaths while humiliating him for wetting the bed. (She even makes him wash the sheets. It’s horrific.)
This is followed by an even worse memory: Petunia decides to be just kind enough to take Harry to visit his parents’ grave in Godric’s Hollow. For a second you might feel a bit of warmth toward her, since Vernon certainly wouldn’t approve of this outing. But of course she spends the entire visit sniping about the bohemian town and insisting that the Potters didn’t have any friends despite the piles of flowers on their tombstone. Even something that looks like decency is revealed to be an excuse to alienate Harry, lie to him about his parents, and crush his spirit.
Again, this is a play for kids. It didn’t have to show us the wizarding world’s savior drenched in his own piss. It didn’t have to show us Petunia lying to Harry in order to keep him submissive. It goes to extremely dark places to show us just how abused Harry was, and just how much trauma he still lives with, as a man pushing 40, with a wonderful partner, wonderful children, a better job than he could have dreamed of as a child. Harry’s a broken mess. The greatest dramatic moment in the play is not, I would argue, the battle with Delphi, it’s a much quieter moment in Harry and Ginny’s home. We learn that each year, on that anniversary, he sits with his baby blanket and meditates on his parents, and the life he might have had. When Albus and Scorpius go missing in time, he still tries to honor his tradition, but has reached a breaking point.
Ginny comes in and finds him weeping into the blanket. “How many people have to die for The Boy Who Lived?” he asks her.
It’s a horrifying, dark twist on the opening chapter of the Harry Potter series. It’s a moment that expects people who grew up with Harry to grapple with his entire history, all the people he’s survived, and the pain of being the Chosen One. It expects the younger ones to watch someone who’s maybe more of a parent figure completely break down. This scene highlights Harry’s vulnerability, his fear and guilt that his own life is not worth the ones that were lost. This is an astonishing, raw scene, and Rowling and Thorne allow it to go on for a while. Just like Harry’s protracted walk into the forest, here we sit with him and Ginny for long minutes while he sobs. His breakdown leads directly into the parents’ discovery of Albus and Scorpius’ message written on the baby blanket. Harry’s emotional damage is revealed to be utterly necessary to the play’s plot.
While the play’s narrative climaxes with the Delphi fight, and the moment when Harry chooses, once again, not to kill, the emotional climax is once again his parents’ death. Obviously, inevitably, the big confrontation with Voldemort’s daughter has to come at Godric’s Hollow, on October 31, 1981. After all the years of nightmares and flashbacks, Harry must physically witness the death/rebirth moment with his own adult eyes. The eyes of a father and a son.
I read the play before I got to see it, and I assumed that it would be staged so we, the audience, were behind Harry and his family, kept at a discreet distance, allowing him the privacy of his grief. To complete Rowling’s religious riff, she’d be enacting a medieval-style Mass: Harry as priest observing a holy moment, while the rest of us congregants watched from over his shoulder. Instead, it’s staged like a Passion Play.
For those of you who have never attended—generally, the audience of a Passion Play is cast as the crowd outside of Pontius Pilate’s palace. When Pilate comes out to ask which prisoner should be released, it’s often on the audience to chant “Barabbas”—thus dooming Jesus, and underscoring the idea that human sin is truly responsible for his death—which is a damn sight better than the ancient tradition of blaming the nearest Jewish person. This tactic was employed in NBC’s staging of Jesus Christ Superstar Live in Concert, for instance, where the audience cheered like crazy for Alice Cooper’s fabulous Herod and Ben Daniels’ somehow-even-fabulouser Pilate, only to realize they’ve been cheering for the torture and death of John Legend once he’s dragged out and beaten to a pulp.
In Cursed Child, Harry, Ginny, Draco, Albus, and Scorpius are all staring out into the audience as the lights flicker and we hear the screams of Lily and James, the cackle of Voldemort. They’re staring at us, as we allow it to happen. We are implicated in these deaths. And once again Harry has to live through the worst moments of his life—the difference being that this time he isn’t alone, as he explicitly states in the battle with Delphi. His disciples have never fallen asleep. They help him defeat her, underlining Rowling’s usual theme of friends and found families being stronger than individual posturing. They’re also there to stop him from killing Delphi. Evil is complex. There are reasons for it. Every single person on this earth who has ever had the label “evil” attached to them has been brought to that state by pain. Maybe a few months, maybe a lifetime’s worth, but something hurt them, and they turned that hurt on the rest of the world. Just as in Deathly Hallows when Harry asked Voldemort to “try for some remorse,” so he also speaks to Delphi as a person, orphan to orphan:
You can’t remake your life. You’ll always be an orphan. That never leaves you.
Harry Potter isn’t a symbol of good—he’s a living, breathing human who was saved by love, and he’s doing everything he can to save the rest of the orphans who were ruined by the pain of previous generations. Even though Delphini tried to undo all of his work and sacrifice his children to her plan, he’s still going to reach out to her.
Of course, it doesn’t always work. But there’s hope in the play that Harry and Draco might form some sort of non-hatred-based relationship. There’s certainty that his son will be supported by Draco’s son, just as he was supported by Ron, Hermione, Luna, Neville.
And most crucially, his partner and child hold him up while he has to once again relive the deaths of his parents, the moment that cursed him to a life of trauma and survivor’s guilt.
Rowling revisits the scenes again, collapses the Nativity and Crucifixion into one moment, structures it like a Passion Play, and sets the whole thing in a Muggle’s Christian church. But again, she veers away from Lewis’ authoritarian themes: Harry is no Aslan. He doesn’t lecture, he doesn’t deliver messages from on high. He’s a fucked up, emotionally damaged adult dealing with PTSD, avoiding adult responsibility because he craves adrenaline, alienating his son, compartmentalizing memories and nightmares that would turn most peoples’ hair white. He’s not a savior anymore, he’s part of a family, and he only succeeds by allowing them to hold him up.
After all that, the play ends in a graveyard. Underlining Cedric’s importance, Cursed Child reveals Harry’s other ritual: whenever he can get away from work, he travels to a graveyard on the Hogwarts grounds to visit Cedric’s grave. After all the anger and pain between Harry and Albus, after the fight with Delphi, after witnessing his parent’s deaths again, The Boy Who Lived has a father-son bonding session in a graveyard. And Albus, for the first time in his life, allows himself to bend a little bit toward his famous father:
Albus: Dad? Why are we here?
Harry: This is where I often come.
Albus: But this is a graveyard…
Harry: And here is Cedric’s grave.
Harry: The boy who was killed—Craig Bowker—how well did you know him?
Albus: Not well enough.
Harry: I didn’t know Cedric well enough either. He could have played Quidditch for England. Or been a brilliant Auror. He could have been anything. And Amos is right—he was stolen. So I come here. Just to say sorry. When I can.
Albus: That’s a—good thing to do.
So we learn that Harry’s life isn’t just shot through with PTSD, or a constant longing for his parents—it is, in fact, haunted by death. He doesn’t give himself just one day a year to remember all the people he’s lost—he heads back to alma mater whenever he can to apologize to A Boy He Couldn’t Save.
Again, we could have gotten a centaur war or something. The Great Wizarding Bake Off films its new season at Honeydukes! Albus and Scorpius fall in love, but they can’t admit it ’cause their dads hate each other? …OK, that one kind of does happen. But instead of going on a more obvious, fun, “Let’s return to Hogwarts!” path, Rowling and Thorne used their story to deal honestly with the legacy of the books, and to keep building the moral framework established with Sorcerer’s Stone.
Rowling’s moral universe doesn’t depend on unwavering faith, nor on the idea that your elders are right. What Dumbledore does to Harry is not OK—and Dumbledore himself isn’t a holy Aslan figure, either. He’s a grief-stricken old man who’s haunted by the death of his sister, and terrified by his own youthful willingness to follow Grindelwald to the brink of evil. He sends a helpless child into the waiting arms of Voldemort without ever giving that boy a real choice. And Rowling makes sure to present us with Harry’s rage at this. She takes us through Harry’s own Gethsemane scenes so we can see the life he’s choosing to walk away from. She shows us all of Dumbledore’s doubt and fear when the two meet in King’s Cross during Harry’s “death.”
And then, 19 years later, we revisit Harry and find that her Boy Who Lived, and died, and lived again fucks up, and it nearly costs him his son. The wizard messiah isn’t a Christ stand-in—he was a frightened boy who did his best, and who grew into a traumatized man. He who needs to reckon with his nightmares and the abuse he suffered, so he can be honest with himself and his kids. Harry’s grief hasn’t made him stronger. It isn’t a thing he needs to endure, so he can join all of his dead friends in Wizard Narnia. His grief he will always carry with him, and he needs to find a way to talk about it, to explore it with his family and friends, so they can all be stronger together.
Rosinkranz is Icelandic but lives in Berlin now. He made NES.party a year ago while experimenting with WebRTC and WebSockets and he updated his software to support the SNES.
“The reason I made it was simply because I discovered how advanced the RTC implementation in Chrome had become and wanted to do something with it,” he said. “When I discovered that it’s possible to take a video element and stream it over the network I just knew I had to do something cool with this and I came up with the idea of streaming emulators.”
He said it took him six months to build the app and a month to add NES support.
“It’s hard to say how long it took because I basically created my own framework for web applications that need realtime communication between one or more participants,” he said. He is a freelance programmer.
It’s a clever hack that could add a little fun to your otherwise dismal day. Feel like a little Link to the Past? Pop over here and let’s play!
You think you own your phone, but you don’t. Copyright law prohibits you from modifying its software in certain ways, opening you up to a voided warranty, cancelled service or even a lawsuit — but that’s slowly changing as the government acknowledges the need (and arguably right) to repair our own devices. A favorable decision from the Copyright Office gives you considerably more freedom with your gadgets, but it’s far from an ideal solution.
As a brief bit of background, the law that prevents you from, say, installing third-party software on your car or sideloading apps onto your Amazon Echo is Section 1201 of the Digital Millennium Copyright Act. It’s meant to make it illegal to circumvent digital copyright protections on software and media, but it’s been used for much more than that.
Companies started stashing all kinds of things behind digital locks and therefore controlling the only means that consumers had to repair or modify them. Digital rights advocates such as Kyle Wiens at iFixit have been pushing back against this practice for years — and recently have made some headway.
Every three years a board of Copyright Office wonks convenes and codifies exemptions to Section 1201: devices or situations that the board is convinced justifiably shouldn’t be covered by the law. What if, for instance, hospitals couldn’t reboot or patch critical medical hardware because the company was unresponsive? Exemptions are added based on merit, but aren’t permanent and must be renewed (and likely re-argued) regularly.
2015’s exemptions were nice, but 2018’s are choice. Here are some things you can do now that you couldn’t last week:
These new freedoms will hopefully result in a more flourishing used-device market and allow phones, cars and smart home devices to live longer and happier lives. But don’t forget that these exemptions must be refreshed in three years. Fortunately that gives advocates an opportunity to expand the list as well, as they did here.
That’s good, because there are still plenty of things to add; for instance game consoles, which didn’t make the list. Perhaps the board thought the risk of piracy was too high. Boats and planes are still protected the way cars once were, which is perhaps understandable.
Strangely, the tools you would require to do most of these things — bootloaders, jailbreaking kits and so on — are still illegal to distribute. It’s weird, but not the first time for this sort of paradox — marijuana, for instance, is still in many places legal to own and use but illegal to sell or grow.
This all goes to show that there is much room for improvement, and not just in a series of temporary exemptions. The law itself must be modified permanently to ensure that we actually own the things we own. That’s going to take a lot of time and work, but from this and previous victories it’s clear that the stars are aligning.
Since its publication in August, Anand Giridharadas's Winners Take All: The Elite Charade of Changing the World has been tearing through the world, changing the way we think about inequality, philanthropy and elites; Giridharadas is an Aspen Institute Fellow who's long traveled in elite circles, but who concluded that the philanthropy of the super-rich isn't just an inadequate substitute for a fairer world -- it's actually part of the system that perpetuates the gross unfairness of mass inequality.
I've just started reading Giridharadas's book, and I'm enjoying it immensely. But even if you don't get around to reading it, I strongly recommend watching his one-hour talk and discussion at Google, where he opens by saying that Google's founding principles are exactly the kind of thing he's criticizing in his book and that's why he's going to keep the lecture part as brief as possible and focus on discussion with the attendees.
(via Four Short Links)
An anonymous reader quotes a report from Motherboard: The Librarian of Congress and U.S. Copyright Office just proposed new rules that will give consumers and independent repair experts wide latitude to legally hack embedded software on their devices in order to repair or maintain them. This exemption to copyright law will apply to smartphones, tractors, cars, smart home appliances, and many other devices. The move is a landmark win for the "right to repair" movement; essentially, the federal government has ruled that consumers and repair professionals have the right to legally hack the firmware of "lawfully acquired" devices for the "maintenance" and "repair" of that device. Previously, it was legal to hack tractor firmware for the purposes of repair; it is now legal to hack many consumer electronics. Specifically, it allows breaking digital rights management (DRM) and embedded software locks for "the maintenance of a device or system in order to make it work in accordance with its original specifications" or for "the repair of a device or system to a state of working in accordance with its original specifications." New copyright rules are released once every three years by the U.S. Copyright Office and are officially put into place by the Librarian of Congress. These are considered "exemptions" to section 1201 of U.S. copyright law, and makes DRM circumvention legal in certain specific cases. The new repair exemption is broad, applies to a wide variety of devices (an exemption in 2015 applied only to tractors and farm equipment, for example), and makes clear that the federal government believes you should be legally allowed to fix the things you own.
Read more of this story at Slashdot.
CBS’ streaming plans have become even more Trek-centric with the announcement of a two-season order for a half-hour animated series called “Star Trek: Lower Decks.”
Many Star Trek fans will probably recognize “Lower Decks” as the title of a popular “Next Generation” episode about four junior officers on the Enterprise, and it sounds like the new series will take that approach even further — CBS says it will “focus on the support crew serving on one of Starfleet’s least important ships.”
The network says the series was developed by “Rick and Morty” writer and executive producer Mike McMahan. As you can probably tell from tongue-in-cheek plot description, “Lower Decks” is meant be a comedy. At the same time, McMahan insisted that it will be “undeniably ‘Trek.'”
Apparently he’s a serious fan himself, having started a “Next Generation”-related Twitter account about a fictitious eighth season, then turning that account into a book.
“Mike won our hearts with his first sentence: ‘I want to do a show about the people who put the yellow cartridge in the food replicator so a banana can come out the other end,’” said executive producer Alex Kurtzman in a statement. “His cat’s name is Riker. His son’s name is Sagan. The man is committed.”
Kurtzman, who co-wrote two of the recent “Star Trek” big-screen blockbusters and co-created “Star Trek: Discovery,” has been spearheading efforts to launch several Star Trek spinoffs on the CBS All Access streaming service, including the return of Patrick Stewart as Jean-Luc Picard. (To be clear, All Access has some non-Trek shows too, including “The Good Fight” and the upcoming “Twilight Zone” reboot from Jordan Peele.)
In addition to being the first original animated series on CBS All Access, “Lower Decks” is the first production from the new CBS Eye Animation Productions. And while the announcement doesn’t include a release date for the animated series, “Star Trek: Discovery” returns for its second season on January 17.
A coalition of civil rights and public interest groups issued recommendations today on policies they believe Internet intermediaries should adopt to try to address hate online. While there’s much of value in these recommendations, EFF does not and cannot support the full document. Because we deeply respect these organizations, the work they do, and the work we often do together; and because we think the discussion over how to support online expression—including ensuring that some voices aren’t drowned out by harassment or threats—is an important one, we want to explain our position.
We agree that online speech is not always pretty—sometimes it’s extremely ugly and causes real world harm. The effects of this kind of speech are often disproportionately felt by communities for whom the Internet has also provided invaluable tools to organize, educate, and connect. Systemic discrimination does not disappear and can even be amplified online. Given the paucity and inadequacy of tools for users themselves to push back, it’s no surprise that many would look to Internet intermediaries to do more.
We also see many good ideas in this document, beginning with a right of appeal. There seems to be near universal agreement that intermediaries that choose to take down “unlawful” or “illegitimate” content will inevitably make mistakes. We know that both human content moderators and machine learning algorithms are prone to error, and that even low error rates can affect large swaths of users. As such, companies must, at a minimum, make sure there’s a process for appeal that is both rapid and fair, and not only for “hateful” speech, but for all speech.
Another great idea: far more transparency. It’s very difficult for users and policymakers to comment on what intermediaries are doing if we don’t know the lay of the land. The model policy offers a pretty granular set of requirements that would provide a reasonable start. But we believe that transparency of this kind should apply to all types of speech.
Another good feature of the model policy are provisions for evaluation and training so we can figure out the actual effects of various content moderation approaches.
But there’s much to worry about too.
Our key concern with the model policy is this: It seeks to deputize a nearly unlimited range of intermediaries—from social media platforms to payment processors to domain name registrars to chat services—to police a huge range of speech. According to these recommendations, if a company helps in any way to make online speech happen, it should monitor that speech and shut it down if it crosses a line.
This is a profoundly dangerous idea, for several reasons.
First, enlisting such a broad array of services to start actively monitoring and intervening in any speech for which they provide infrastructure represents a dramatic departure from the expectations of most users. For example, users will have to worry about satisfying not only their host’s terms and conditions but also those of every service in the chain from speaker to audience—even though the actual speaker may not even be aware of all of those services or where they draw the line between hateful and non-hateful speech. Given the potential consequences of violations, many users will simply avoid sharing controversial opinions altogether.
Second, we’ve learned from the copyright wars that many services will be hard-pressed to come up with responses that are tailored solely to objectionable content. In 2010, for example, Microsoft sent a DMCA takedown notice to Network Solutions, Cryptome’s DNS and hosting provider, complaining about Cryptome’s (lawful) posting of a global law enforcement guide. Network Solutions asked Cryptome to remove the guide. When Cryptome refused, Network Solutions pulled the plug on the entire Cryptome website—full of clearly legal content—because Network Solutions was not technically capable of targeting and removing the single document. The site was not restored until wide outcry in the blogosphere forced Microsoft to retract its takedown request. When the Chamber of Commerce sought to silence a parody website created by activist group The Yes Men, it sent a DMCA takedown notice to the Yes Men’s hosting service’s upstream ISP, Hurricane Electric. When the hosting service May First/People Link resisted Hurricane Electric’s demands to remove the parody site, Hurricane Electric shut down MayFirst/PeopleLink’s connection entirely, temporarily taking offline hundreds of "innocent bystander" websites as collateral damage.
Third, we also know that many of these service providers have only the most tangential relationship to their users; faced with a complaint, takedown will be much easier and cheaper than a nuanced analysis of a given user’s speech. As the document itself acknowledges and as the past unfortunately demonstrates, intermediaries of all stripes are not well-positioned to make good decisions about what constitutes “hateful” expression. While the document acknowledges that determining hateful activities can be complicated “in a small number of cases,” the number likely won’t be small at all.
Finally, and most broadly, this document calls on companies to abandon any commitment they might have to the free and open Internet, and instead embrace a thoroughly locked-down, highly monitored web, from which a speaker can be effectively ejected at any time, without any path to address concerns prior to takedown.
To be clear, the free and open Internet has never been fully free or open—hence the impetus for this document. But, at root, the Internet still represents and embodies an extraordinary idea: that anyone with a computing device can connect with the world, anonymously or not, to tell their story, organize, educate and learn. Moderated forums can be valuable to many people, but there must also be a place on the Internet for unmoderated communications, where content is controlled neither by the government nor a large corporation.
The document defines “hateful activities” as those which incite or engage in “violence, intimidation, harassment, threats or defamation targeting an individual or group based on their actual or perceived race, color, religion, national origin, ethnicity, immigration status, gender, gender identity, sexual orientation or disability.”
We may agree that speech that does any of these things is deeply offensive. But the past proves that companies are ill-equipped to make informed decisions about what falls into these categories. Take, for example, Facebook’s decision, in the midst of the #MeToo movement’s rise, that the statement “men are trash” constitutes hateful speech. Or Twitter’s decision to use harassment provisions to shut down the verified account of a prominent Egyptian anti-torture activist. Or the content moderation decisions that have prevented women of color from sharing the harassment they receive with their friends and followers. Or the decision by Twitter to mark tweets containing the word “queer” as offensive, regardless of context. These and many other decisions show that blunt policies designed to combat “hateful” speech can have unintended consequences. Furthermore, when divorced from a legal context, terms like “harassment” and “defamation” are open to a multitude of interpretations.
The policy document also proposes that Internet companies “combine technology solutions and human actors” in their efforts to combat hateful activities. The document rightly points out that flagging can be co-opted for abuse, and offers helpful ideas for improvement, such as more clarity around flagging policies and decisions, regular audits to improve flagging practices, and employing content moderators with relevant social, political, and cultural knowledge of the areas in which they operate.
However, the drafters are engaging in wishful thinking when they seek to disclaim or discourage governmental uses of flagging tools. We know that state and state-sponsored actors have weaponized flagging tools to silence dissent. Furthermore, once processes and tools to silence “hateful activities” are expanded, companies can expect a flood of demands to apply them to other speech. In the U.S., the First Amendment and the safe harbor of CDA 230 largely prevent such requirements. But recent legislation has started to chip away at Section 230, and we expect to see more efforts along those lines. As a result, today’s “best practices” may be tomorrow’s requirements.
Our perspective on these issues is based on decades of painful history, particularly with social media platforms. Every major social media platform sets forth rules for its users, and violations of these rules can prompt content takedowns or account suspensions. And the rules—whether they relate to “hateful activities” or other types of expression—are often enforced against innocent actors. Moreover, because the platforms have to date refused our calls for transparency, we can’t even quantify how often they fail at enforcing their existing policies.
We’ve seen prohibitions on hate speech employed to silence individuals engaging in anti-racist speech; rules against harassment used to suspend the account of an LGBTQ activist calling out their harasser; and a ban on nudity used to censor women who share childbirth images in private groups. We’ve seen false copyright and trademark allegations used to take down all kinds of lawful content, including time-sensitive political speech. Regulations on violent content have disappeared documentation of police brutality, the Syrian war, and the human rights abuses suffered by the Rohingya. A blanket ban on nudity has repeatedly been used to take down a famous Vietnam war photo.
These recommendations and model policies are trying to articulate better content moderation practices, and we appreciate that goal. But we are also deeply skeptical that even the social media platforms can get this right, much less the broad range of other services that fall within the rubric proposed here. We have no reason to trust that they will, and every reason to expect that their efforts to do so will cause far too much collateral damage.
Given these concerns, we have serious reservations about the approach the coalition is taking in this document. But there are important ideas in it as well, notably the opportunity for users to appeal content moderation decisions, and expanded transparency from corporate platforms, and we look forward to working together to push them forward.
We rightly think of Leia Organa as being Carrie Fisher, through and through. But in the animated world, it’s not so simple, and lots of actresses have had to live in the shadow of the late actress and put their own take on the character.
NASA recently developed a program for manned missions to explore Venus -- even though the planet's surface is 860 degrees, which NASA explains is "hot enough to melt lead." Long-time Slashdot reader Zorro shares this week's article from Newsweek: As surprising as it may seem, the upper atmosphere of Venus is the most Earth-like location in the solar system. Between altitudes of 30 miles and 40 miles, the pressure and temperature can be compared to regions of the Earth's lower atmosphere. The atmospheric pressure in the Venusian atmosphere at 34 miles is about half that of the pressure at sea level on Earth. In fact you would be fine without a pressure suit, as this is roughly equivalent to the air pressure you would encounter at the summit of Mount Kilimanjaro. Nor would you need to insulate yourself as the temperature here ranges between 68 degrees Fahrenheit and 86 degrees Fahrenheit. The atmosphere above this altitude is also dense enough to protect astronauts from ionising radiation from space. The closer proximity of the sun provides an even greater abundance of available solar radiation than on Earth, which can be used to generate power (approximately 1.4 times greater).... [C]onceivably you could go for a walk on a platform outside the airship, carrying only your air supply and wearing a chemical hazard suit. Venus is 8 million miles closer to Earth than Mars (though it's 100 times further away than the moon). But the atmosphere around Venus contains traces of sulphuric acid (responsible for its dense clouds), so the vessel would need to be corrosion-resistant material like teflon. (One NASA paper explored the possibility of airbone microbes living in Venus's atmosphere.) There's a slick video from NASA's Langley Research Center titled "A way to explore Venus" showcasing HAVOC -- "High Altitude Venus Operational Concept." "A recent internal NASA study...led to the development of an evolutionary program for the exploration of Venus," explains the project's page at NASA.gov, "with focus on the mission architecture and vehicle concept for a 30 day crewed mission into Venus's atmosphere." NASA describes the project as "no longer active," though adding that manned missions to the atmosphere of Venus are possible "with advances in technology and further refinement of the concept."
Read more of this story at Slashdot.
Ajit Pai is a member of the Ayn Rand/James Buchanan cult that says that any government regulation is an unfair attack on the "freedom" of business, which is why his ascendancy to the Chairmanship of the FCC under Donald Trump was attended by an orgy of deregulation -- most of us know about his senseless slaughter of Net Neutrality, but that was just for starters.
Among the rules Ajit Pai killed was one that required telcos rebuilding after natural disasters to quickly replace ruined telcoms infrastructure with equivalent systems. The rule dates back to Hurricane Sandy's devastation of Fire Island, when Verizon tried to weasel out of rebuilding service, saying that cheaper cellular towers could replace all that downed copper.
Pai said that this rule got in the way of carriers laying down fiber (in reality, the biggest impediment to fiber rollout is the ban on competition from municipal fiber networks, a competitive pressure that often spurs carriers into action). He killed it.
Ajit Pai has publicly slammed the carriers for dragging their heels in rebuilding Florida's telcoms infrastructure, but thanks to the dastardly shortsightedness of his archenemy Ajit Pai, he is unable to force them to pull their socks up and get to work.
Similarly, Florida Governor Rick Scott -- a fellow deregulation neofeudalist -- signed a bill in 2011 (the 'Regulatory Reform Act of 2011') which ended Florida's oversight of residential phone service, including a mandate to connect everyone in the state. Scott killed recordkeeping of citizen complaints about poor phone service, so there is no data about how badly his rule screwed over the people of Florida.
Rick Scott is also publicly flaming the carriers for doing too little, too slow after Hurricane Michael, but he, like Ajit Pai, has been foiled by the cunning work of his archnemesis Florida Governor Rick Scott, who has tied his hands when it comes to forcing the carriers to get to work.
"The deregulation was so thorough that the Florida PSC is not even allowed to take consumer complaints about residential phone service, which conveniently prevents the collection of any data that might show deregulation has costs in terms of consumer welfare," Feld also wrote in a second, more-detailed blog post yesterday.
Gov. Scott has been doing the rounds with media to keep pressure on Verizon—and to make sure that Floridians know he's fighting for them. Similarly, Pai announced that he will visit the Florida Panhandle on Friday "to assess the damage inflicted by Hurricane Michael and get an update on recovery efforts" and said he will "continu[e] to work to help residents and communities bounce back from this tragic storm."
"What neither Pai nor Scott mention is their own role in creating this sorry state of affairs," Feld wrote. "Their radical deregulation of the telephone industry, despite the lessons of previous natural disasters such as Hurricane Sandy, guaranteed that providers would choose to cut costs and increase profits rather than invest in hardening networks or emergency preparedness."
An FCC spokesperson criticized Feld and Public Knowledge, saying they made "cheap and false political attacks while people in the Florida Panhandle are suffering," according to Politico. "Indeed, it is disgraceful that they would seek to co-opt this disaster to advocate for ideologically motivated regulations that have nothing to do with what is going on in the Florida Panhandle.”
Hurricane Michael A Wake Up Call On Why Total Dereg of Telecom A Very Bad Idea. [Harold Feld/Wetmachine]
Ajit Pai killed rules that could have helped Florida recover from hurricane [Jon Brodkin/Ars Technica]
Louis Rossman is one of the highest-profile independent Apple repair technicians, famous in part for fixing devices that Apple has declared to have reached their end-of-life, diverting these devices from landfill and keeping them in the hands of the people who paid good money for them.
Rossman has to engage in lots of creative tactics to source parts for his repairs, including buying refurbished parts that have been removed from real Apple products; but Customs and Border Protection now seems to take the position that anything imported with an Apple logo on it must be counterfeit. They just seized 20 laptop batteries that Rossman had paid $1,068 for.
Rossmann explained that there’s no authorized method for him to purchase the laptop batteries his customers need to keep their devices working. If they were to take the faulty devices to a Genius Bar, the Genius Bar would turn them away.
“If I become an Apple authorized service provider and I wish to obtain parts to a machine they consider vintage, Apple will say no,” he said. “If I talk to somebody in China...they get taken by a company that’s using the power of the government to seize my stuff. Apple is working with the government to shut down those who mislead customers, aka trying to fix machines that they won’t fix because they consider them vintage after four or five years. Just around the time that your battery starts to die.”
He’s right: Apple does not sell replacement parts to customers or to independent repair shops, and its “Authorized Service Provider Program” has strict limitations about the types of repairs that shops can perform. Meanwhile, Apple has strongly fought “right to repair” legislation that would make it easier for people to buy replacement parts.
DHS Seized Aftermarket Apple Laptop Batteries From Independent Repair Expert Louis Rossman [Matthew Gault and Jason Koebler/Motherboard]
Casting anyone other than Harrison Ford in the role of Han Solo just feels like sacrilege, but since Ford is now 76 years old, playing a younger version of himself would be all but impossible. Or at least impossible if you rely on the standard Hollywood de-aging tricks like makeup and CG. Artificial intelligence, it…
TIL - The "Thagomizer", the spiked tail on a stegosaurid dinosaur, didn't have an official name till the cartoonist Gary Larson did a comic about it, named it, and the scientific community just accepted it and started using it too. [Published articles]
Some of you may remember a blog I did about container scanning. The result was that we're considering a move away from Alpine to use a distribution that's both small and has access to a CVE database so that vulnerability scanning is more accurate.
I've spent some time and compared some variations of Redhat, Debian and Ubuntu.
Ubuntu now provides a 30mb compressed image for their latest tag. Similarly Debian produces a stable-slim tag that's around 22mb.
The blog is here for anybody interested. Also a bit of a diversion in the middle related to Redhat that might be worth discussing.
Interested to know if anyone else is planning a move away from Alpine and if so what are you switching to.
Douglas Rushkoff, long-time open source advocate (and currently a professor of Digital Economics at the City University of New York, Queens College), is calling Universal Basic Incomes "no gift to the masses, but a tool for our further enslavement." Uber's business plan, like that of so many other digital unicorns, is based on extracting all the value from the markets it enters. This ultimately means squeezing employees, customers, and suppliers alike in the name of continued growth. When people eventually become too poor to continue working as drivers or paying for rides, UBI supplies the required cash infusion for the business to keep operating. When it's looked at the way a software developer would, it's clear that UBI is really little more than a patch to a program that's fundamentally flawed. The real purpose of digital capitalism is to extract value from the economy and deliver it to those at the top. If consumers find a way to retain some of that value for themselves, the thinking goes, you're doing something wrong or "leaving money on the table." Walmart perfected the softer version of this model in the 20th century. Move into a town, undercut the local merchants by selling items below cost, and put everyone else out of business. Then, as sole retailer and sole employer, set the prices and wages you want. So what if your workers have to go on welfare and food stamps. Now, digital companies are accomplishing the same thing, only faster and more completely.... Soon, consumers simply can't consume enough to keep the revenues flowing in. Even the prospect of stockpiling everyone's data, like Facebook or Google do, begins to lose its allure if none of the people behind the data have any money to spend. To the rescue comes UBI. The policy was once thought of as a way of taking extreme poverty off the table. In this new incarnation, however, it merely serves as a way to keep the wealthiest people (and their loyal vassals, the software developers) entrenched at the very top of the economic operating system. Because of course, the cash doled out to citizens by the government will inevitably flow to them.... Under the guise of compassion, UBI really just turns us from stakeholders or even citizens to mere consumers. Once the ability to create or exchange value is stripped from us, all we can do with every consumptive act is deliver more power to people who can finally, without any exaggeration, be called our corporate overlords... if Silicon Valley's UBI fans really wanted to repair the economic operating system, they should be looking not to universal basic income but universal basic assets, first proposed by Institute for the Future's Marina Gorbis... As appealing as it may sound, UBI is nothing more than a way for corporations to increase their power over us, all under the pretense of putting us on the payroll. It's the candy that a creep offers a kid to get into the car or the raise a sleazy employer gives a staff member who they've sexually harassed. It's hush money. Rushkoff's conclusion? "Whether its proponents are cynical or simply naive, UBI is not the patch we need."
Read more of this story at Slashdot.
Mozilla and other digital advocacy companies filed a lawsuit in August alleging the FCC had unlawfully overturned 2015’s net neutrality rules, by among other things “fundamentally mischaracteriz[ing] how internet access works.” The FCC has filed its official response, and as you might expect it has doubled down on those fundamental mischaracterizations.
The Mozilla suit, which you can read here or embedded at the bottom of this post, was sort of a cluster bomb of allegations striking at the FCC order on technical, legal, and procedural grounds. They aren’t new, revelatory arguments — they’re what net neutrality advocates have been saying for years.
There are at least a dozen separate allegations, but most fall under two general categories.
That by failing to consider consumer complaints or perform adequate studies on the state of the industry, federal protections, and effects of the rules, the FCC’s order is “arbitrary and capricious” and thus cannot be considered to have been lawfully enacted.
The FCC’s responses to these allegations are likewise unsurprising. The bulk of big rulemaking documents like Restoring Internet Freedom isn’t composed of the actual rules but in the justification of those rules. So the FCC took preventative measures in its proposal identifying potential objections (like Mozilla’s) and dismissing them by various means.
That their counter-arguments on the broadband classification are nothing new is in itself a little surprising, though. These very same arguments were rejected by a panel of judges in the DC circuit back in 2015. In fact, recently-appointed Supreme Court Justice Brett Kavanaugh distinguished himself on that very decision by being wrong on every count and receiving an embarrassing intellectual drubbing by his better-informed peer, Judge Srinivasan.
As for the arbitrary and capricious allegation, the FCC merely reiterates that all its decisions were reasonable as justified at the time. Mozilla’s arguments are not given serious consideration; for example, when Mozilla pointed out that thousands of pages of comments had been essentially assumed by the FCC to be irrelevant without reviewing them, the FCC responds that it “reasonably decided not to include largely unverified consumer complaints in the record.”
These statements aren’t the end of the line; there will be more legal wrangling, amicus briefs, public statements, amended filings, and so on before this case is decided. But if you want a good summary of the hard legal arguments against the FCC and a vexing dismissal thereof, these two documents will serve for weekend reading.
The Mozilla suit:
The FCC’s counter-arguments:
On Wednesday, most cell phones in the US received a jarring alert at the same time. This was a test of the Wireless Emergency Alert (WEA) system, also commonly known as the Presidential Alert. This is an unblockable nationwide alert system which is operated by Federal Emergency Management Agency (*not* the President, as the name might suggest) to warn people of a catastrophic event such as a nuclear strike or nationwide terrorist attack. The test appears to have been mostly successful, and having a nationwide emergency alert system certainly doesn’t seem like a bad idea; but Wednesday’s test has also generated concern. One of the most shared tweets came from antivirus founder John McAfee.
While there are legitimate concerns about the misuse of the WEA system and myriad privacy concerns with cellular phones and infrastructure (including the Enhanced 911, or E911, system) the tweet by McAfee gets it wrong.
The Wireless Emergency Alert system is the same system used to send AMBER Alerts, Severe Weather Notifications, and Presidential Alerts to mobile devices. It works by sending an emergency message to every phone provider in the US, which then push the messages to every cell tower in the affected area. (In the case of a Presidential Alert, the entire country.) The cell towers then broadcast the message to every connected phone. This is a one-way broadcast that will go to every cell phone in the designated area, though in practice not every cell phone will receive the message.
McAfee’s tweet gets two key things wrong about this system: There is no such thing as an E911 chip, and the system does not give “them” the information he claims. In fact, the Presidential Alert does not have any way to send data about your phone back to the mobile carrier, though your phone is sending data to mobile carriers all the time for other reasons.
This isn’t to say that there aren’t serious privacy issues with the E911 system. The E911 system was developed by the FCC in the early 2000’s after concerns that the increased use of cellular telephones would make it harder for emergency responders to locate a person in crisis. With a landline, first responders could simply go to the billing location for the phone, but a mobile caller could be miles from their home, even in another state. The E911 standard requires that a mobile device be able to send its location, with a high degree of accuracy, to emergency responders in response to a 911 call. While this is a good idea in the event of an actual crisis, law enforcement agencies have taken advantage of this technology to locate and track people in real time. EFF has argued that this was not the intended use of this system and that such use requires a warrant.
What’s more, the mobile phone system itself has a huge number of privacy issues: from mobile malware which can control your camera and read encrypted data, to Cell-Site Simulators which can pinpoint a phone’s exact location, to the “Upstream” surveillance program exposed by Edward Snowden, to privacy issues in the SS7 system that connects mobile phone networks to each other. There are myriad privacy issues with mobile devices that we should be deeply concerned about, but the Wireless Emergency Alert system is not one of them.
There are legitimate concerns about the misuse of the wireless emergency alert system as well. There could be a false alarm issued through the system, sparking unnecessary panic, as happened in Hawaii earlier this year.For many, the idea that a president could use the WEA to push an unblockable message to their phones is deeply disturbing and sparked concerns that the system could be used to spread unblockable propaganda. Unlike other emergency alerts, the presidential alert can’t be turned off in phone software, by law. Fortunately for us, activating the WEA system is more complicated than say, sending a tweet. To send out a Presidential Alert the president would have to, at the very least, convince someone in charge of the WEA system at FEMA to send such a message, and FEMA staffers may be reluctant to send out a non-emergency message, which could decrease the effectiveness of future emergency alerts.
As with any new system that is theoretically a good idea, we must remain vigilant that it is not misused. There are many legitimate reasons to be concerned about cellular privacy. It’s important that we keep an eye on the real threats and not get distracted by wild conspiracy theories.
I’m spending the 2018-2019 academic year as a fellow at the Center for Advanced Study in the Behavioral Sciences (CASBS) at Stanford.
Every CASBS study is labeled with a list of “ghosts” who previously occupied the study. This year, I’m spending the year in Study 50 where I’m haunted by an incredible cast that includes many people whose scholarship has influenced and inspired me.
Foremost among this group is Study 50’s third occupant: Claude Shannon.¹
At 21 years old, Shannon’s masters thesis (sometimes cited as the most important masters thesis in history) proved that electrical circuits could encode any relationship expressible in Boolean logic and opened the door to digital computing. Incredibly, this is almost never cited as Shannon’s most important contribution. That came in 1948 when he published a paper titled A Mathematical Theory of Communication which effectively created the field of information theory. Less than a decade after its publication, Aleksandr Khinchin (the mathematician behind my favorite mathematical constant) described the paper saying:
Rarely does it happen in mathematics that a new discipline achieves the character of a mature and developed scientific theory in the first investigation devoted to it…So it was with information theory after the work of Shannon.
As someone whose own research is seeking to advance computation and mathematical study of communication, I find it incredibly propitious to be sharing a study with Shannon.
Although I teach in a communication department, I know Shannon from my background in computing. I’ve always found it curious that, despite the fact Shannon’s 1948 paper is almost certainly the most important single thing ever published with the word “communication” in its title, Shannon is rarely taught in communication curricula is sometimes completely unknown to communication scholars.
In this regard, I’ve thought a lot about this passage in Robert’s Craig’s influential article “Communication Theory as a Field” which argued:
In establishing itself under the banner of communication, the discipline staked an academic claim to the entire field of communication theory and research—a very big claim indeed, since communication had already been widely studied and theorized. Peters writes that communication research became “an intellectual Taiwan-claiming to be all of China when, in fact, it was isolated on a small island” (p. 545). Perhaps the most egregious case involved Shannon’s mathematical theory of information (Shannon & Weaver, 1948), which communication scholars touted as evidence of their field’s potential scientific status even though they had nothing whatever to do with creating it, often poorly understood it, and seldom found any real use for it in their research.
In preparation for moving into Study 50, I read a new biography of Shannon by Jimmy Soni and Rob Goodman and was excited to find that Craig—although accurately describing many communication scholars’ lack of familiarity—almost certainly understated the importance of Shannon to communication scholarship.
For example, the book form of Shannon’s 1948 article was published by University Illinois on the urging of and editorial supervision of Wilbur Schramm (one of the founders of modern mass communication scholarship) who was a major proponent of Shannon’s work. Everett Rogers (another giant in communication) devotes a chapter of his “History of Communication Studies”² to Shannon and to tracing his impact in communication. Both Schramm and Rogers built on Shannon in parts of their own work. Shannon has had an enormous impact, it turns out, in several subareas of communication research (e.g., attempts to model communication processes).
Although I find these connections exciting. My own research—like most of the rest of communication—is far from the substance of technical communication processes at the center of Shannon’s own work. In this sense, it can be a challenge to explain to my colleagues in communication—and to my fellow CASBS fellows—why I’m so excited to be sharing a space with Shannon this year.
Upon reflection, I think it boils down to two reasons:
I have no misapprehension that I will accomplish anything like Shannon’s greatest intellectual achievements during my year at CASBS. I do hope to be inspired by Shannon’s creativity, focus on impact, and playfulness. In my own little ways, I hope to build something at CASBS that will advance mathematical and computational theory in communication in ways that Shannon might have appreciated.
MJ Carlson calls this photo from a 1980s computer science textbook "the most glorious stock photo of all time." She is correct.